A taut portrayal of grief, pain, and the ties that bind families, to be read with a careful, critical eye.
In her debut novel, Mayhew deftly explores the ways the sudden death of 15-year-old Melon’s mother affects their family’s oral history.
The book’s nonlinear structure makes each section a moment in time that reveals a different piece of the puzzle. The chapter titles orient readers by indicating when the scene takes place in relation to Maria’s death. Interspersed between the chapters is “The Story”—Melon’s written account of the family history her mother told her again and again. The simple prose exposes the difficult realities of many teenagers in modern-day London. Melon is an explosive character. The social workers, her friends, and even the bullies at school tiptoe around her grief, which exacerbates her abrasive personality. Melon grapples with anger and guilt as she tries to understand her late mother. Her explicit and unfiltered language reflects both her frank temperament and the sensitive subjects in the narrative. The sexual objectification of the mother’s black boyfriend is an unfortunate throughline that mars the book. Despite writing Paul as a full and nuanced character, the author does not adequately address the racist underpinnings of the repeated discussions of his body.
A taut portrayal of grief, pain, and the ties that bind families, to be read with a careful, critical eye. (Fiction. 15 & up)Pub Date: Feb. 9, 2016
ISBN: 978-0-7636-7731-2
Page Count: 320
Publisher: Candlewick
Review Posted Online: Nov. 10, 2015
Kirkus Reviews Issue: Dec. 1, 2015
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Entertaining.
A tale of love and loss that spans the globe.
Instead of having a carefree summer, biracial (Korean/White) Anna is sent away from the familiarity of New York, her friends, the past school year’s scandal—and the memories of her dead boyfriend, Alexia Vronsky. While struggling with grief, her shattered self-image, and an uncertain future, Anna attempts to reclaim her summer in Seoul, where she knows only her father and grandmother. Beatrice, Alexia’s cousin, juggles her clingy girlfriend and falling for a California surfer even as she represses her grief. Meanwhile, Anna’s brother, Steven, plans for an amazing summer party, although Lolly, his girlfriend, is away at theater camp. Steven’s best friend, Dustin, and Kimmie, Lolly’s younger sister, are equally nervous about their first sexual experience together. This sequel to Anna K (2020) contains fewer mentions of luxury brands, and the characters exhibit an increased awareness of the impacts of wealth and socio-economic status. The novel also touches on issues of addiction, sexism, cultural differences, fame, relationships, love, and mental health; in particular, the portrayals of living with grief and redefining the self after a loved one dies shine. Despite some awkward time skips, the humor, pop-culture references, and characters’ distinct voices strengthen the story. Fans of the first novel will enjoy this follow-up, which is also accessible to readers new to Anna and her world. Some major characters are White; Dustin is Black and Jewish, and there is diversity in the supporting cast.
Entertaining. (cast of characters) (Fiction. 15-18)Pub Date: April 27, 2021
ISBN: 978-1-250-23646-3
Page Count: 304
Publisher: Flatiron Books
Review Posted Online: March 24, 2021
Kirkus Reviews Issue: April 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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