by Julie Mayhew ‧ RELEASE DATE: Nov. 14, 2017
Readers who know their World War II history and enjoy extremely unreliable narrators will find great satisfaction in...
Jessika is an upstanding schoolgirl in the English countryside of the Greater German Reich.
It’s been almost 75 years since Germany invaded—that is, since Operation Seelöwe liberated England from the filthy refugees on Britain’s shores. Jess focuses on ice-skating, youth group, and enjoying the next few years before she settles down with a husband. It’s awkward that she wants to kiss her best friend, Clementine, but she can fix that, somehow. But why does Clementine make everything difficult, saying disruptive things about freedom and showing off her illegal CD player? Still, it must be a mistake when Clementine has a scheduled sterilization; isn’t that operation just for “proper idiot girls…deaf ones too, the deformed ones”? Jess chooses naiveté, revealing her world through the negative space of what she doesn’t say. Through a jumping timeline, Jess details the events building up to a concert and its tragic aftermath: brutal medical treatment for the “blip” in her affections, black triangle badges, a re-education camp. (“I was here to work, and that work would set me free.”) The setting, with its brainwashing, personality cults, and information seclusion from the rest of the world, evokes contemporary North Korea.
Readers who know their World War II history and enjoy extremely unreliable narrators will find great satisfaction in puzzling out the truth behind the horrors Jess leaves unspoken . (Alternate history. 15-adult)Pub Date: Nov. 14, 2017
ISBN: 978-0-7636-9125-7
Page Count: 352
Publisher: Candlewick
Review Posted Online: Aug. 26, 2017
Kirkus Reviews Issue: Sept. 15, 2017
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by Katherena Vermette illustrated by Scott B. Henderson Donovan Yaciuk ‧ RELEASE DATE: March 15, 2018
A sparse, beautifully drawn story about a teen discovering her heritage.
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In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
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by John Green ‧ RELEASE DATE: Jan. 10, 2012
Green seamlessly bridges the gap between the present and the existential, and readers will need more than one box of tissues...
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New York Times Bestseller
He’s in remission from the osteosarcoma that took one of his legs. She’s fighting the brown fluid in her lungs caused by tumors. Both know that their time is limited.
Sparks fly when Hazel Grace Lancaster spies Augustus “Gus” Waters checking her out across the room in a group-therapy session for teens living with cancer. He’s a gorgeous, confident, intelligent amputee who always loses video games because he tries to save everyone. She’s smart, snarky and 16; she goes to community college and jokingly calls Peter Van Houten, the author of her favorite book, An Imperial Affliction, her only friend besides her parents. He asks her over, and they swap novels. He agrees to read the Van Houten and she agrees to read his—based on his favorite bloodbath-filled video game. The two become connected at the hip, and what follows is a smartly crafted intellectual explosion of a romance. From their trip to Amsterdam to meet the reclusive Van Houten to their hilariously flirty repartee, readers will swoon on nearly every page. Green’s signature style shines: His carefully structured dialogue and razor-sharp characters brim with genuine intellect, humor and desire. He takes on Big Questions that might feel heavy-handed in the words of any other author: What do oblivion and living mean? Then he deftly parries them with humor: “My nostalgia is so extreme that I am capable of missing a swing my butt never actually touched.” Dog-earing of pages will no doubt ensue.
Green seamlessly bridges the gap between the present and the existential, and readers will need more than one box of tissues to make it through Hazel and Gus’ poignant journey. (Fiction. 15 & up)Pub Date: Jan. 10, 2012
ISBN: 978-0-525-47881-2
Page Count: 272
Publisher: Dutton
Review Posted Online: Jan. 9, 2012
Kirkus Reviews Issue: Jan. 15, 2012
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