A sexy holiday romp that's the perfect combination of naughty and nice.
An adult film actress and a bad-boy pop star are cast in a wholesome, made-for-TV Christmas movie. What could go wrong?
Teddy Ray Fletcher is a bit of an anomaly in the film business. On one hand, he’s the producer of Fletcher Productions’ holiday films, which run on the Hope Channel; on the other, he’s the owner of Uncle Ray-Ray’s porn studio. When Teddy’s golden starlet falls ill, he's hard-pressed to find a new Felicity before the filming of Duke the Halls starts in Christmas Notch, Vermont. When the Duke director spots a nude headshot Teddy accidentally placed in the wrong folder, she’s convinced they’ve found their new, edgier star. Against Teddy’s better judgment, they hire Bee Hobbes, aka plus-size porn star Bianca von Honey, who's “gorgeous and filthy and great for business.” While Bee loves the freedom and power of sex work, she hopes this movie will finally be her big break…even if she has to follow Teddy’s rule about staying "above reproach" while filming and pray that “chaste-as-hell” Hope Channel fans and Uncle Ray-Ray viewers don’t align. Added to the mix is former boy band member Nolan Shaw, the actor playing the duke, who’s in need of major image rehab after photos of him at an orgy during the Duluth Olympics spread around the world. Following his career downfall, Nolan will do anything to support his bipolar mother and teenage sister, like be contractually bound to good behavior for the two weeks of shooting. It turns out, however, that a fortnight of celibacy will be easier said than done for Bee and Nolan, especially when Nolan recognizes Bee as Bianca and they have mouthwatering chemistry on a set with heaving corsets and tight breeches. Murphy and Simone’s holiday romance is laugh-out-loud funny and so deliciously hot—“She smelled so sweet, like a warm sugar cookie, and the corseted dip of her waist under my hand felt like sin itself”—that readers will be glad it’s made for chilly weather.
A sexy holiday romp that's the perfect combination of naughty and nice.Pub Date: Sept. 20, 2022
ISBN: 978-0-06-322257-1
Page Count: 432
Publisher: Avon/HarperCollins
Review Posted Online: July 7, 2022
Kirkus Reviews Issue: Aug. 1, 2022
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A wallowing, emotionally wrenching family drama that leaves little time for romance.
Two people with bad luck in relationships find each other through a popular Reddit thread.
Emma Grant and her best friend, Maddy, are travel nurses, working at hospitals for three-month stints while they see the country. Just a few weeks before they’re set to move to Hawaii, Emma reads a popular “Am I the Asshole” Reddit thread from a Minnesota man who thinks he’s cursed—women he dates find their soulmates after breaking up with him, and the latest one found true love with his best friend! Emma has had a similar experience, which inspires her to DM the man and commiserate. She’s delighted by her witty, lively interactions with software engineer Justin Dahl, and is intrigued when he suggests that if they date each other, maybe they’ll each find their soulmate afterward. Emma upends the Hawaii plan and convinces Maddy to move to Minneapolis for the summer so she can meet Justin in person. The overly complex setup brings Emma and Justin together and the two hit it off, with Justin immediately falling head over heels for Emma. Jimenez then pivots to creating romantic roadblocks and melodramatic subplots centering on each character’s family of origin. Justin’s mother is about to serve six years in prison for embezzlement, which means Justin must move back home to care for his three much younger siblings. Emma was traumatized by her own mother for much of her childhood, left to fend for herself and eventually abandoned in the foster system. When her mother shows up in Minnesota, Emma must face her traumatic childhood and admit that she has prioritized her mother’s well-being over her own. There is little time devoted to Emma’s painful efforts to heal herself enough to accept Justin’s love, which leaves the novel feeling unsatisfying.
A wallowing, emotionally wrenching family drama that leaves little time for romance.Pub Date: April 2, 2024
ISBN: 9781538704431
Page Count: 432
Publisher: Forever
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 15, 2024
SEEN & HEARD
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