by Julie Saab ; illustrated by David Gothard ‧ RELEASE DATE: April 22, 2014
The duo promises further adventures for their little clothed kitty—she’s off to a good start.
What kind of adventure will Little Lola have?
Little Lola wakes up early one morning. That is part of the plan, delineated in a to-do list. She must stretch, hide, read the paper, play games and have an adventure! Finding pink glasses, a pert little outfit and a backpack, she decides to board a school bus. When she gets to school, she’s excited; everything and everyone has a place. She practices writing and arithmetic. She practices painting and playing, singing and sharing. She loves everything about school, but she loves storytime and show and tell best of all. She thinks she has the best thing for show and tell…but the mouse she presents scares everyone, and the classroom erupts in chaos. Lola puts everything back (some rather out of place), and all the children say goodbye, and they hope to see her tomorrow. This debut for husband-and-wife team Saab and Gothard will be a good addition to the off-to-school canon. The spot and full-bleed watercolor illustrations have a retro, Scarry-esque look, complementing the declarative text that bubbles over with Lola’s enthusiasm. Little listeners uncertain about going off to school might find solace in Lola’s excitement.
The duo promises further adventures for their little clothed kitty—she’s off to a good start. (Picture book. 4-6)Pub Date: April 22, 2014
ISBN: 978-0-06-227457-1
Page Count: 32
Publisher: Greenwillow Books
Review Posted Online: Jan. 14, 2014
Kirkus Reviews Issue: Feb. 1, 2014
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by Julie Saab ; illustrated by David Gothard
by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson
by John Segal and illustrated by John Segal ‧ RELEASE DATE: March 1, 2011
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
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by John Segal & illustrated by John Segal
BOOK REVIEW
by John Segal & illustrated by John Segal
BOOK REVIEW
by John Segal & illustrated by John Segal
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