by Julie Salamon ‧ RELEASE DATE: June 11, 2019
An engrossing narrative of a notorious act of terror.
The seemingly interminable struggle between Palestinians and Israelis serves as the backdrop to this tale of the seizure of the Achille Lauro cruise ship in 1985.
In this gripping account, former Wall Street Journal and New York Times reporter and critic Salamon (Wendy and the Lost Boys: The Uncommon Life of Wendy Wasserstein, 2011, etc.) adeptly reveals the parallel lives of the well-educated and privileged wife of the leader of the Palestinian Liberation Front and the successful, New York City–bred daughters of abductees Marilyn and Leon Klinghoffer. The author intersperses the domestic dramas and mundane daily routines of both families with the plotting and execution of the terrorist act. Salamon’s storytelling skills imbue this terrible event with personal, relatable dimensions. She describes how the terrorists demanded that Syrian authorities negotiate with Israel to release Palestinian prisoners and transport the hijackers to a friendly Arab state that would provide them asylum. Aboard the ship, the hostages’ conflicting emotions of dread and a need to humanize their captors during the siege is personified by Marilyn. “The young man covered [wheelchair-bound] Leon with a blanket and handed him a cigarette; Marilyn returned the kindness with a hug and a grateful kiss,” writes the author. “ ‘They seemed so middle class,’ she thought, ‘like people you could relate to.’ ” She was proven tragically wrong, however, when they killed Leon and dumped his body into the ocean. Salamon’s account of the strategizing of Palestinian, Israeli, and American diplomats, followed by the soldiers’ captures and subsequent escapes, are as engaging as a spy novel. She extensively recounts the trials of the hijackers and offers lengthy aftermaths for the families. However, her similar attention to the international productions of the opera The Death of Klinghoffer are overlong and do not warrant the same focus.
An engrossing narrative of a notorious act of terror.Pub Date: June 11, 2019
ISBN: 978-0-316-43310-5
Page Count: 368
Publisher: Little, Brown
Review Posted Online: May 7, 2019
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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