by Julie Scolnik ‧ RELEASE DATE: Oct. 5, 2021
An engrossing coming-of-age story that wrings hard-won wisdom from giddy romance.
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In her memoir, Scolnik recounts a passionate affair, tested by separation, with a Frenchman.
Scolnik’s narrative begins in 1976 when the 20-year-old Wesleyan student arrived in Paris for a junior year abroad to study flute, French literature, Marxist “Dialectic Thought,” etc. Entranced by Parisian culture but feeling lonely and adrift, she signed up with the amateur chorus of the Orchestre de Paris, where, scanning the bass section, she beheld Luc, an “Adonis-like man” with “a sensitive face radiating quiet intelligence.” After days of gazing, she finally tapped him on the shoulder. Through awkward small talk, car rides, and cafe meetups with the reserved tax lawyer, the two bonded over classical music and succumbed to a torrent of love, sex that felt “deeply metaphysical,” and languorous idylls in her garret. Alas, their love seemed doomed. Luc was married with a 3-year-old son, but, he assured Scolnik, he was separated from his wife, Claire (much of the time, at least), and would divorce her and go to America to work, perhaps. Returning to New England and Wesleyan, Scolnik continued to hope, encouraged by Luc’s besotted letters and a three-week reprise of the affair during her spring break trip to Paris. When Luc announced that he would come to Boston for a summer English course, she rented them an apartment to live in together—and that’s when her blazing ardor got plunged into an ice bath. Luc arrived grumpy and distracted, hated every morsel of American food, and made plain his indifference to Scolnik, even scoffing at her when she badly cut herself. After five days of this treatment, Scolnik “despised him with every cell in [her] body” and left him. She then rushed back a few weeks later to see him—only to be confronted by Claire herself.
Scolnik’s saga is, in part, a burning love letter to Paris, written with gorgeous detail. In cafes, she writes, she “began to recognize certain types—elderly French ladies sitting shoulder to shoulder looking out onto the street, their miniature terriers perched on chairs beside them; businessmen in suits nursing tall beers; students smoking cigarettes and writing notes at their espresso-cluttered tables; graying, long-haired intellectuals with scarves, looking important, retired, and committed to café life as a means of keeping the old political discussions alive over their plats du jour.” Concerning her fraught relationship with Luc, she conveys the visceral impact of the couple’s attraction (“it was like touching a power line,” she writes, when her finger accidentally grazed his hand during a concert), while its obsessiveness comes through in excerpts from Luc’s hammy but heartfelt missives. (“My body was knotted, as if, at 1:30 when your plane took off, all the existential anguish that you knew how to appease, surprised me again with more force, more tenacity. Paris seems absurd.”) Scolnik’s shrewd, evocative prose captures the bliss of love, but she’s also entertainingly cleareyed about its petty agonies when it unravels. (“Although I knew that none of our daily trials were my fault, Luc made me feel responsible for them all: that the bus ride into Cambridge was long and hot, that good art films weren’t showing at the right times, that a dead fish was floating in the Boston Harbor, that inexpensive little bistros weren’t materializing when we were hungry.”) The result is a captivating remembrance that treats falling in love and falling out of it with equal honesty.
An engrossing coming-of-age story that wrings hard-won wisdom from giddy romance.Pub Date: Oct. 5, 2021
ISBN: 978-1-64663-471-2
Page Count: 252
Publisher: Koehler Books
Review Posted Online: Sept. 25, 2021
Kirkus Reviews Issue: Nov. 15, 2021
Review Program: Kirkus Indie
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Melania Trump ‧ RELEASE DATE: Oct. 8, 2024
A slick, vacuous glimpse into the former first lady’s White House years.
A carefully curated personal portrait.
First ladies’ roles have evolved significantly in recent decades. Their memoirs typically reflect a spectrum of ambition and interests, offering insights into their values and personal lives. Melania Trump, however, stands out as exceptionally private and elusive. Her ultra-lean account attempts to shed light on her public duties, initiatives, and causes as first lady, and it defends certain actions like her controversial “I REALLY DON’T CARE, DO U?” jacket. The statement was directed at the media, not the border situation, she claims. Yet the book provides scant detail about her personal orbit or day-to-day interactions. The memoir opens with her well-known Slovenian origin story, successful modeling career, and whirlwind romance with Donald Trump, culminating in their 2005 marriage, followed by a snapshot of Election Day 2016: “Each time we were together that day, I was impressed by his calm.…This man is remarkably confident under pressure.” Once in the White House, Melania Trump describes her functions and numerous public events at home and abroad, which she asserts were more accomplished than media representations suggested. However, she rarely shares any personal interactions beyond close family ties, notably her affection for her son, Barron, and her sister, Ines. And of course she lavishes praise on her husband. Minimal anecdotes about White House or cabinet staff are included, and she carefully defuses her rumored tensions with Trump’s adult children, blandly stating, “While we may share the same last name, each of us is distinct with our own aspirations and paths to follow.” Although Melania’s desire to support causes related to children’s and women’s welfare feels authentic, the overall tenor of her memoir seems aimed at painting a glimmering portrait of her husband and her role, likely with an eye toward the forthcoming election.
A slick, vacuous glimpse into the former first lady’s White House years.Pub Date: Oct. 8, 2024
ISBN: 9781510782693
Page Count: 256
Publisher: Skyhorse Publishing
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Dec. 1, 2024
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