Like many “literary” authors before her, Shigekuni borrows genre-fiction tropes without knowing how to make them work.
A thriller that takes the reader from academia in Los Angeles to the nuclear disaster at Fukushima.
Daidai is taking a leave of absence as a museum curator while she’s trying to conceive. Her husband, Hiroshi, continues to work as a professor. At a party for graduate students, Daidai meets Satsuki, who has just arrived in Los Angeles. Even though she’s convinced that Satsuki is interested in her husband, Daidai is, herself, seduced by this beguiling woman. Satsuki is both a fascinating distraction and a chance to connect with Japanese culture—which is something Daidai, a Japanese-American woman raised in the United States, craves. But a death at a local Catholic monastery makes her wonder what she really knows about her new friend. Psychological thrillers often rely on a disconnect between a protagonist’s ordinary life and the extraordinary circumstances in which she finds herself. Bored and frustrated, Daidai is perfectly situated both to fall for a charismatic stranger and to become obsessed with her secrets. But Shigekuni’s (Unending Nora, 2008, etc.) writing flattens the contrast between Daidai’s reality before and after Satsuki. Descriptions of setting and action tend to be vague to the point of opacity. For example, very early in the novel, Daidai has an encounter with a strange man while shopping for groceries in Little Tokyo. She's so startled when he speaks to her that she makes him stumble, and their interaction, apparently, causes a tear in the heavy bag of rice she’s carrying. But there’s no obvious moment of impact; physical contact is mostly implied. It’s difficult to visualize what actually happens during this encounter. Emotional states and relationships are equally hard to divine. The stranger she meets in Little Tokyo is still carrying the torn bag of rice when Daidai runs into the little brother of the friend she’s planning to meet for lunch. There are suggestions that she finds him attractive, but there’s no way to understand how important this information is. These are not isolated incidents but, rather, indicative of the novel’s style throughout. This leaves the reader feeling off-kilter from the start, which diminishes the impact of real mystery entering Daidai’s life. Satsuki would be more compellingly enigmatic if there weren’t so many gaps and elisions in Shigekuni’s worldbuilding and character development.
Like many “literary” authors before her, Shigekuni borrows genre-fiction tropes without knowing how to make them work.Pub Date: Nov. 15, 2016
ISBN: 978-1-939419-98-9
Page Count: 286
Publisher: Unnamed Press
Review Posted Online: Oct. 18, 2016
Kirkus Reviews Issue: Nov. 1, 2016
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
