An honest take on seeking acceptance and striving to fit in.
A series opener that explores culture, language, family, and identity.
Santi is nervous about leaving his home in New York City to embark on a month of Spanish immersion with his Colombian abuela in rural Hillside Valley; Santi’s mom is European American, and his parents abandoned their plan to raise him to be bilingual. Although he wants to master the language, he worries constantly about embarrassing himself with his “broken Spanish” and poor accent. While wandering around Hillside Valley, Santi meets a group of Dominican, Argentinian, and Nicaraguan kids and discovers that the area has a robust Latin American community. His new friends include him in their secret soccer club, and all seems to be going well. But Santi just can’t shake the feeling that he’s a “big fake”—and he blames this discomfort on his limited skill with the language, which makes him feel out of place. Equally frustrating, his white classmates at home questioned his presence in a beginning Spanish class. This graphic novel is enhanced by clean, brightly colored panels that feature lots of appetizing illustrations of food. Spanish is woven throughout; speech bubbles with dotted outlines signal English translations. This sweet multigenerational story gets to the heart of the displacement that young people often feel when they begin to explore their family heritage, and Santi’s intense frustration and anxiety come across vividly.
An honest take on seeking acceptance and striving to fit in. (author’s note, artist’s note) (Graphic fiction. 8-12)Pub Date: March 4, 2025
ISBN: 9780593651643
Page Count: 224
Publisher: Random House Graphic
Review Posted Online: Nov. 23, 2024
Kirkus Reviews Issue: Jan. 1, 2025
BOOK REVIEW
BOOK REVIEW
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
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