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THE OLD AFRICAN

Lester’s prose is powerful and poetic, and Pinkney outdoes himself in hauntingly expressive, often wordless double-page...

Whips sink into bare flesh and red blood glistens in Lester’s painfully vivid, four-part story of the horrors of slavery that evolves into a fantastical escape myth.

When a runaway boy named Paul is brutally beaten by Master Riley, his anguish triggers a flashback of the magical, shape-shifting Old African to the terror and stench of the slave ships he experienced ten years previous. Paul’s vision-inspired cry “Water! Water!” stirs the Old African to lead the slaves off the plantation to the ocean, the Water-That-Stretched-Forever. Fully clothed, the slaves walk into the waves to their freedom, down onto the ocean floor, over the bones of fellow captured slaves, all the way back to Africa where their homecoming is joyful and triumphant. Both author and artist draw on a story originating with the Ybo slaves of coastal Georgia for this moving collaboration.

Lester’s prose is powerful and poetic, and Pinkney outdoes himself in hauntingly expressive, often wordless double-page paintings that masterfully capture the strength and suffering of the African people. (Illustrated fiction. 12+)

Pub Date: Sept. 1, 2005

ISBN: 0-8037-2564-7

Page Count: 80

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2005

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A PLACE TO HANG THE MOON

A wartime drama with enough depth and psychological complexity to satisfy budding bookworms.

Three plucky orphan siblings are in search of a mother in wartime England.

When their grandmother dies, 12-year-old William, 11-year-old Edmund, and 9-year-old Anna are left in London in the care of an elderly housekeeper. As part of the World War II evacuation of children to safety, they are relocated to the countryside, something the family solicitor hopes may lead to finding adoptive parents. However, they are billeted with the Forresters, an unpleasant family reminiscent of the Dursleys. Bullying by their hosts’ two sons, who despise them; the ever present fear of German attack; and the dread of homelessness test their mettle to the limit. The orphans long to find a home of their own, and good boy William is stressed by his responsibility as head of the small family. Edmund’s desire for revenge against the Forresters and a prank involving a snake get them evicted from their billet, and they end up in a much worse situation. They find sanctuary in the village library and a savior in the librarian, who is married to a German and therefore ostracized by the locals. Mrs. Müller provides them with moral support, a listening ear, and true appreciation and love. The classic books she chooses for them—The Wind in the Willows and Anne of Green Gables, among others—may generate ideas for further reading. All characters are White.

A wartime drama with enough depth and psychological complexity to satisfy budding bookworms. (reading list) (Historical fiction. 12-16)

Pub Date: Feb. 2, 2021

ISBN: 978-0-8234-4705-3

Page Count: 320

Publisher: Margaret Ferguson/Holiday House

Review Posted Online: Nov. 16, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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DAY OF TEARS

A NOVEL IN DIALOGUE

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On a day when rain came down “hard as sorrow,” George Weems sets out to sell more slaves at one time than anyone ever had. Pierce Butler must sell off hundreds of slaves to cover gambling debts and 12-year-old Emma is one of his victims. Named after Lester’s grandmother, whose mother was a slave, Emma is part of a large cast of characters—slaves, owners, businessmen and abolitionists—who tell their own stories, in their own voices. Interludes occasionally have characters return in old age to reflect on their lives since the auction, a brilliant technique that demonstrates, in some characters, the persistence of racist belief. Other, good-hearted, characters, white and black, act towards each other with respect and dignity and affirm the possibilities of conscience and common humanity even in the worst of times. This important novel, based on an actual slave auction in 1859, begs to be performed, though teachers and performers may be hesitant to utter the racist language of the day. Powerful theater and one of Lester’s finest works. (cast of characters, author’s note) (Fiction. 12+)

Pub Date: April 1, 2005

ISBN: 0-7868-0490-4

Page Count: 192

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2005

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