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STREET POISON

Name: STREET POISON
Author: Justin Gifford
ISBN: 978-0-385-53834-3

THE BIOGRAPHY OF ICEBERG SLIM

by Justin Gifford ‧ RELEASE DATE: Aug. 4, 2015

“This is not a story without tragedy….But it is a story of redemption and breathtaking creativity, too,” writes Gifford, who...

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The first biography of Robert Beck, aka Iceberg Slim, (1918-1992), builds a compelling case that the pimp-turned–popular author provided the foundation for gangsta rap, Blaxploitation movies, and so much of the underground culture that became mainstream.

Gifford (English/Univ. of Nevada; Pimping Fictions: African American Crime Literature and the Untold Story of Black Pulp Publishing, 2013) transcends the opacity of academic writing in this lively account of a subject he even admits “might at first glance seem like an appalling choice for a biography…he abused hundreds of women throughout his lifetime, and he is practically unknown to the American mainstream.” Yet his autobiography, Pimp, has sold millions of copies since its publication in 1967, though it was never reviewed in the literary press nor widely available in bookstores. Pimp and Slim’s subsequent novels and essay collections could be more commonly found in inner-city newsstands, taverns, and barbershops. Such seminal rappers as Ice Cube and Ice-T took their names to honor him, and Mike Tyson considered him a father figure. To Gifford, he’s an exemplar of the ambiguous complexity of the pimp in ghetto mythology, a flashy man who has been corrupted by a racist society and who has been able to triumph over white prejudice by exploiting black women who had too few options. The “Street Poison” of the title was the term favored by Slim to describe the insidious effects of ghetto life on an impressionable young man attracted to the worlds of sex, drugs, and glamour and who would deaden his soul to attain all of them. It shows complicated relationships with his mother and a series of father figures, accounts occasionally at odds with Slim’s own writing, and it shows how he transitioned from a life of crime to pulp literature.

“This is not a story without tragedy….But it is a story of redemption and breathtaking creativity, too,” writes Gifford, who not only tells the story well, but shows why it’s so significant.

Pub Date: Aug. 4, 2015

ISBN: 978-0-385-53834-3

Page Count: 288

Publisher: Doubleday

Review Posted Online: April 26, 2015

Kirkus Reviews Issue: May 15, 2015

Categories:

BIOGRAPHY & MEMOIR | CURRENT EVENTS & SOCIAL ISSUES | ISSUES & CONTROVERSIES

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A PEOPLE'S HISTORY OF THE UNITED STATES

by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979

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For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

Categories:

- BOOK REVIEW
A YOUNG PEOPLE'S HISTORY OF THE UNITED STATES
by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales

- BOOK REVIEW
TRUTH HAS A POWER OF ITS OWN
by Howard Zinn with Ray Suarez

- BOOK REVIEW
THE HISTORIC UNFULFILLED PROMISE
by Howard Zinn

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NIGHT

by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

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Elie Wiesel spent his early years in a small Transylvanian town as one of four children.

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.