Hardy’s lack of novelistic skill hobbles her attempt to pull together the personal and the political, the past and the...
Kashmir is the setting for this messy first novel by a British nonfiction author (Bollywood Boy, 2003, etc.).
It’s October 1999. A coup in Pakistan rattles nerves in Indian Controlled Kashmir. The majority of the population is Muslim, and Muslim guerillas have been fighting the army for ten years. Even the unabashedly secular Gracie Singh feels the ripples as she totters around her houseboat on idyllic Nagin Lake, across from the summer capital of Srinagar. English Gracie, pushing 80, is the widow of an Indian aristocrat; her beloved son Hari died young in a car accident. A feisty eccentric, well-lubricated by gin, Gracie is the default protagonist, cared for by a mute, Suriya Abdullah, and her beautiful daughter, Lila. The Abdullahs are a powerful local clan; their effective head, Masood, is Gracie’s landlord and erstwhile drinking companion. Now Muslims are under pressure to be devout, and Masood has fallen into line, though he’s distraught when his nephew Irfan disappears, fearing (correctly) that he has joined the guerillas. Indian soldiers come looking for Irfan, treating the Abdullahs with contempt; the Major, a disciplined bully, hints at ethnic cleansing. It’s the novel’s most powerful scene; Hardy’s grasp of her material is less sure when it comes to personal relationships. An unconvincing young journalist, Hal Copeman, arrives from England to interview Gracie, though she’s not part of his assignment. He becomes her houseguest and falls in love with Lila, a woman half in shadow. The mystery of her paternity, her mother’s mute condition and their loss of status, from rich Abdullahs to lowly servants, will not be revealed until the epilogue. Hal and Lila will make love twice, and Gracie will have a lovely 80th birthday party before the lurking violence closes in.
Hardy’s lack of novelistic skill hobbles her attempt to pull together the personal and the political, the past and the present.Pub Date: April 9, 2006
ISBN: 0-8021-1822-4
Page Count: 386
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2006
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
