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THE SMASHED MAN OF DREAD END

The imaginative and truly horrifying monster at its center makes this tale stand out.

Noelle is excited about her family’s new house—until she learns of the monster in the basement.

Since Noe Wiley’s night terrors led to a friendship-ending incident, she’s glad to be moving. Right from the start, though, this place feels off, and the kids in the neighborhood tell her to stay out of her basement at night. A sleepwalking episode leads to her understanding the warning when she wakes up to see the Smashed Man oozing out of a crack in the wall. He can only come out after dark, and only children can see him. Noe slowly forms friendships with the neighborhood girls, Radiah, Ruthy, and Crystal, and they band together to learn more about the monster and how to defeat him once and for all. Vivid descriptions create a strong setting with plenty of tension and make scenes with the Smashed Man the stuff of nightmares. The girls are realistically portrayed, although their characterizations are lacking in depth. The pacing and plot get muddled in the middle as the overly complex paranormal world at large is explored and explained, but it’s worth wading through to get to the exciting final confrontation with the Smashed Man. While the ending is satisfying, new reveals at the end signal possible sequels. The majority of the cast is assumed White; Radiah is implied Black.

The imaginative and truly horrifying monster at its center makes this tale stand out. (Horror. 9-13)

Pub Date: Aug. 17, 2021

ISBN: 978-0-06-299052-5

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: June 15, 2021

Kirkus Reviews Issue: July 1, 2021

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THE SCREAMING STAIRCASE

From the Lockwood & Co. series , Vol. 1

A heartily satisfying string of entertaining near-catastrophes, replete with narrow squeaks and spectral howls.

Three young ghost trappers take on deadly wraiths and solve an old murder case in the bargain to kick off Stroud’s new post-Bartimaeus series.

Narrator Lucy Carlyle hopes to put her unusual sensitivity to supernatural sounds to good use by joining Lockwood & Co.—one of several firms that have risen to cope with the serious ghost Problem that has afflicted England in recent years. As its third member, she teams with glib, ambitious Anthony Lockwood and slovenly-but-capable scholar George Cubbins to entrap malign spirits for hire. The work is fraught with peril, not only because a ghost’s merest touch is generally fatal, but also, as it turns out, as none of the three is particularly good at careful planning and preparation. All are, however, resourceful and quick on their feet, which stands them in good stead when they inadvertently set fire to a house while discovering a murder victim’s desiccated corpse. It comes in handy again when they later rashly agree to clear Combe Carey Hall, renowned for centuries of sudden deaths and regarded as one of England’s most haunted manors. Despite being well-stocked with scream-worthy ghastlies, this lively opener makes a light alternative for readers who find the likes of Joseph Delaney’s Last Apprentice series too grim and creepy for comfort.

A heartily satisfying string of entertaining near-catastrophes, replete with narrow squeaks and spectral howls. (Ghost adventure. 11-13)

Pub Date: Sept. 17, 2013

ISBN: 978-1-4231-6491-3

Page Count: 384

Publisher: Disney-Hyperion

Review Posted Online: May 28, 2013

Kirkus Reviews Issue: June 15, 2013

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EMPTY SMILES

From the Small Spaces series , Vol. 4

A thrilling and chilling end to a standard-setting series.

Arden’s quartet of seasonal horrors concludes with sinister clowns at a carnival.

A dry summer in East Evansburg sends friends Brian, Coco, and Phil to Lethe Creek to cool off. But there’s been an Ollie-shaped hole in everyone’s lives since the dastardly “smiling man” took her. The smiling man releases one of his other trapped children to deliver a message: they’ll need three hidden keys to win Ollie back. Meanwhile, Ollie—traveling with the smiling man and his carnival—tries to figure out a way to escape him on her own. When the carnival moves to East Evansburg, the stage is set for the final showdown. By day, it’s a fun-filled paradise. By night, the carnival’s clowns hunt wayward children to turn into dolls. Without the keys, Ollie and friends will be next. While predatory clowns and humans-turned-dolls are far from new territory, Arden once again flexes her gift for atmospheric writing to envelop readers in the story’s eerie mist. The expert use of pacing and sensory cues—sights, sounds, and smells—helps heighten the genuinely terrifying chase scenes. Chess matches and conversations between Ollie and the smiling man humanize the shape-shifting villain, exposing just enough of his motives to wrap up unanswered questions. Earlier volumes establish that most characters are White and Brian is Black.

A thrilling and chilling end to a standard-setting series. (Horror. 9-13)

Pub Date: Aug. 9, 2022

ISBN: 978-0-593-10918-2

Page Count: 256

Publisher: Putnam

Review Posted Online: May 9, 2022

Kirkus Reviews Issue: June 1, 2022

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