A haunting story that bravely explores friendship and mental illness.
Love and friendship are severely tested by mental illness tinged with fantasy.
August and Jack are the very definition of opposites attracting. Jack, a popular, golden-haired white varsity rugby player, seems to have a perfect life, while August is a poor kid of mixed race who runs drugs in their high school to make extra money. The boys are from opposite ends of the social spectrum, but their connection is deeper than friendship and more intense than the relationships either one has with members of the opposite sex. Their bromance, which enables both teens to survive parental neglect and absence, has a decidedly destructive bent that leads to their breaking into a toy factory together and also tattooing their names on each other. When Jack begins hallucinating, convinced that he sees into a parallel world in need of saving, August decides to believe him, charting a course that tests their friendship and their sanity. Ancrum’s first novel, set in 2003, is an eerie piece of realistic fiction whose characters revel in intense emotions that will feel very authentic to high school teenagers. Their story is presented in extremely short chapters punctuated by pictorial elements such as arrest reports, snapshots, and maps. As the story proceeds, the pages darken until the final acts play out in white type on black. The fragmented style of the narrative keeps the action moving but undercuts character development, causing details about the main characters to be told to readers rather than shown.
A haunting story that bravely explores friendship and mental illness. (Historical fiction. 14-18)Pub Date: Oct. 31, 2017
ISBN: 978-1-250-10154-9
Page Count: 320
Publisher: Imprint
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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