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HOW RORY THORNE DESTROYED THE MULTIVERSE

From the Thorne Chronicles series , Vol. 1

Do not, under any circumstances, miss out on this.

Ten generations after Sleeping Beauty was woken by her prince, a new princess is born to the (now interplanetary) kingdom of Thorne.

That Rory Thorne is born a girl comes as a great surprise to her family, who haven’t seen a firstborn daughter since that princess of legend. According to old homeworld tradition, a firstborn princess must have a naming ceremony, and the 13 fairies must be invited to give the baby their magical gifts. The tradition is so old everyone assumes the fairy invitations are a symbol, a nod to the legend, but then the fairies actually show up. Eleven of the fairies give Rory gifts like a talent for harp playing and a pretty face: gifts that seem frivolous until you consider that women are primarily expected to please other people, and a princess who can’t be pleasing will have a rough go of it. In that light, the 13th fairy’s gift—that Rory will “find no comfort in illusion or platitude, and [will] know truth when [she hears] it, no matter how well concealed by flattery, custom, or mendacity”—truly is a curse. Luckily, the 12th fairy hadn’t yet bestowed her gift when the 13th made her dramatic appearance, and so she grants Rory courage. As Rory grows up among scheming politicians, princes who aren’t what they seem, and a plot to overthrow the monarchy, she finds herself needing her curse and her courage in equal measure. With this book billed as the first of a duology, readers will be clamoring for the second installment before Chapter 1 is over. Told with just enough editorializing from a Dickensian narrator, this story delights from cover to cover. The political intrigue never fails to surprise, each character is layered and compelling, and there’s a perfect balance between science-fiction action and fairy-tale fantasy.

Do not, under any circumstances, miss out on this.

Pub Date: Oct. 8, 2019

ISBN: 978-0-7564-1529-7

Page Count: 416

Publisher: DAW/Berkley

Review Posted Online: July 14, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE MARTIAN

Sharp, funny and thrilling, with just the right amount of geekery.

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When a freak dust storm brings a manned mission to Mars to an unexpected close, an astronaut who is left behind fights to stay alive. This is the first novel from software engineer Weir.

One minute, astronaut Mark Watney was with his crew, struggling to make it out of a deadly Martian dust storm and back to the ship, currently in orbit over Mars. The next minute, he was gone, blown away, with an antenna sticking out of his side. The crew knew he'd lost pressure in his suit, and they'd seen his biosigns go flat. In grave danger themselves, they made an agonizing but logical decision: Figuring Mark was dead, they took off and headed back to Earth. As it happens, though, due to a bizarre chain of events, Mark is very much alive. He wakes up some time later to find himself stranded on Mars with a limited supply of food and no way to communicate with Earth or his fellow astronauts. Luckily, Mark is a botanist as well as an astronaut. So, armed with a few potatoes, he becomes Mars' first ever farmer. From there, Mark must overcome a series of increasingly tricky mental, physical and technical challenges just to stay alive, until finally, he realizes there is just a glimmer of hope that he may actually be rescued. Weir displays a virtuosic ability to write about highly technical situations without leaving readers far behind. The result is a story that is as plausible as it is compelling. The author imbues Mark with a sharp sense of humor, which cuts the tension, sometimes a little too much—some readers may be laughing when they should be on the edges of their seats. As for Mark’s verbal style, the modern dialogue at times undermines the futuristic setting. In fact, people in the book seem not only to talk the way we do now, they also use the same technology (cellphones, computers with keyboards). This makes the story feel like it's set in an alternate present, where the only difference is that humans are sending manned flights to Mars. Still, the author’s ingenuity in finding new scrapes to put Mark in, not to mention the ingenuity in finding ways out of said scrapes, is impressive.  

Sharp, funny and thrilling, with just the right amount of geekery.

Pub Date: Feb. 11, 2014

ISBN: 978-0-8041-3902-1

Page Count: 368

Publisher: Crown

Review Posted Online: Dec. 7, 2013

Kirkus Reviews Issue: Dec. 15, 2013

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