A truly unique voice.
A chance reunion with a childhood friend sends a young woman reeling through the surreal taxonomy of her life.
Seven is 24 years old, works in the laundry room of a chiropractor’s office, and still lives at home with her mother and grandmother. Her days consist of a monotony measured in repeated sensation: the “pigskin” texture of the thin towels, the “symphonic” sound of the chiropractor’s urine stream in the laundry room toilet, the jellylike residue of the soap dispenser that “dribbl[es] like a nosebleed” and must be wiped clean every hour. At home, Seven follows similarly long-established rituals, watching television with her mother and her grandmother in the “apartment [they have] been renting since before [she] was born.” Though her mother encourages her to move out on her own someday, there seems to be nothing that could shake Seven from this cycle—which serves to forestall the vision of a girl’s future her grandmother once presented to her: “You’re born. You leave your family before it can eat you. You are eaten by another family and give birth to its children. You make your life a service to others, and in exchange you are never alone with your desires.” Then, while cleaning one of the chiropractor’s treatment rooms, Seven comes face-to-face with Cecilia, a beloved childhood friend and subject of Seven’s most closely guarded fantasies. Cecilia’s reemergence in Seven’s life instigates a flurry of uncontrolled memory wherein the girls’ shared experiments with forbidden sensuality express themselves in Seven’s desire to consume Cecilia’s very being, to enshroud her beloved in the cavities of her body, to become her—if not in this life, then perhaps in the next. An erotic, dissociative exploration of obsession, this slender novella reconfigures desire as a corporeal function as integral as breathing or digestion. While the visceral, disorienting nature of the language sometimes obscures the images themselves, the work of reading this book leaves the reader with the same feeling one has after eating a particularly indulgent meal—satiation, with the knowledge of more hunger to come.
A truly unique voice.Pub Date: May 21, 2024
ISBN: 9781566897075
Page Count: 144
Publisher: Coffee House
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
BOOK REVIEW
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
One of the noblest characters in American literature gets a novel worthy of him.
Mark Twain's Adventures of Huckleberry Finn as told from the perspective of a more resourceful and contemplative Jim than the one you remember.
This isn’t the first novel to reimagine Twain’s 1885 masterpiece, but the audacious and prolific Everett dives into the very heart of Twain’s epochal odyssey, shifting the central viewpoint from that of the unschooled, often credulous, but basically good-hearted Huck to the more enigmatic and heroic Jim, the Black slave with whom the boy escapes via raft on the Mississippi River. As in the original, the threat of Jim’s being sold “down the river” and separated from his wife and daughter compels him to run away while figuring out what to do next. He's soon joined by Huck, who has faked his own death to get away from an abusive father, ramping up Jim’s panic. “Huck was supposedly murdered and I’d just run away,” Jim thinks. “Who did I think they would suspect of the heinous crime?” That Jim can, as he puts it, “[do] the math” on his predicament suggests how different Everett’s version is from Twain’s. First and foremost, there's the matter of the Black dialect Twain used to depict the speech of Jim and other Black characters—which, for many contemporary readers, hinders their enjoyment of his novel. In Everett’s telling, the dialect is a put-on, a manner of concealment, and a tactic for survival. “White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” Jim explains. He also discloses that, in violation of custom and law, he learned to read the books in Judge Thatcher’s library, including Voltaire and John Locke, both of whom, in dreams and delirium, Jim finds himself debating about human rights and his own humanity. With and without Huck, Jim undergoes dangerous tribulations and hairbreadth escapes in an antebellum wilderness that’s much grimmer and bloodier than Twain’s. There’s also a revelation toward the end that, however stunning to devoted readers of the original, makes perfect sense.
One of the noblest characters in American literature gets a novel worthy of him.Pub Date: March 19, 2024
ISBN: 9780385550369
Page Count: 320
Publisher: Doubleday
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
PERSPECTIVES
PERSPECTIVES
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