A promising, if chatty, first installment in a spacefaring adventure.
A sequence of clicks in otherwise mundane radio signals may indicate the presence of aliens on a Jovian moon in Donoghue’s (UMO, 2018, etc.) sci-fi series entry.
Aerospace engineer Kiera Walsh’s former roommate asks her to meet with a man named Ajay Joshi. He’s an accountant by trade, but he’s also an amateur astronomer who’s made a discovery that Kiera has trouble believing. Specifically, he’s found periodic clicking noises in readily available NASA recordings of Jupiter’s radio waves. Most people claim that these are merely interference, but Ajay surmises that the clicks, which occur in a pattern, are an alien broadcast to Earth from Callisto, one of Jupiter’s moons. When Kiera peruses the recordings, she finds some validity in Ajay’s claims. She and fellow engineer Dante Fulton relay the information to billionaire Augustus Amato, whose company, A3rospace Industries, is focused on deep-space exploration. Amato responds by expediting a mission to Callisto; he suspects that if NASA makes it there first, there will be a coverup. Apparently, NASA has plenty of secrets, including a failed space mission to Callisto 23 years ago and the discovery of alien beings there, known as UMOs (“unidentified magnetic objects”). Soon, the race to Callisto becomes a tense standoff. Donoghue’s multigenre approach to his series opener is a triumph. Although it’s primarily science fiction, the story also boasts thrillerlike suspense (Amato is threatened with imprisonment at one point) and mystery (very little is known about the UMOs, which appear as light). Numerous characters evolve over the course of the story even though it’s only Book 1: Ajay turns out to be more than just an internet conspiracy theorist, and NASA’s chief administrator, Dennis Pritchard, begins as Amato’s ally, but circumstances change their relationship. The narrative is largely driven by dialogue—intelligent, engrossing discussions of such subjects as probe launching and how the UMOs’ behavior is akin to that of Earth’s bees. This approach results in minimal action scenes, but the ending promises further adventures with these well-drawn characters.
A promising, if chatty, first installment in a spacefaring adventure.Pub Date: Dec. 14, 2018
ISBN: 978-0-9997614-2-7
Page Count: 324
Publisher: Leaping Leopard Enterprises, LLC
Review Posted Online: Feb. 21, 2019
Kirkus Reviews Issue: May 1, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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