by Kaija Langley ; illustrated by Keith Mallett ‧ RELEASE DATE: Sept. 7, 2021
The absolute embodiment of Black boy joy, this is a beautiful and important book.
What happens when a little boy who likes basketball learns that he loves ballet?
Langston, a little Black boy, is enchanted by an Alvin Ailey Dance Company performance he sees with his mother. After the performance, Langston asks, “Do you think I can dance like that?” She lovingly responds, “You can do whatever you set your mind to doing.” Langston envisions twirling and leaping, just like the dancers. However, Langston faces opposition when another boy sees him dancing and admonishes, “Boys don’t dance like that.” A bit jarred, he defends his passion and heads to his first dance class anyway. Langston is the only boy amid the pink-tutu–clad little girls. When his teacher, Ms. Marie, gives him a pair of black ballet shoes, he runs and leaps across the room in excitement. This is a tenderly told story about self-acceptance. The love and support that Langston receives from his mother serve to buoy his confidence, but it is his awareness of his passion that sustains him and pushes him to do what makes him happy: a lesson for every child. The illustrations are warm and dreamy. Langston, his mother, and the other children, depicted as racially diverse, look almost photorealistic. This book will pair equally well with Julián Is a Mermaid, by Jessica Love (2018), and I Am Every Good Thing, by Derrick Barnes and illustrated by Gordon C. James (2020). (This book was reviewed digitally.)
The absolute embodiment of Black boy joy, this is a beautiful and important book. (Picture book. 4-8)Pub Date: Sept. 7, 2021
ISBN: 978-1-5344-8519-8
Page Count: 40
Publisher: Denene Millner Books/Simon & Schuster
Review Posted Online: July 13, 2021
Kirkus Reviews Issue: Aug. 1, 2021
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BOOK REVIEW
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
BOOK REVIEW
by Tish Rabe ; illustrated by Dan Yaccarino
by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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by JaNay Brown-Wood ; illustrated by Tamisha Anthony
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by JaNay Brown-Wood ; illustrated by Olivia Amoah
BOOK REVIEW
by JaNay Brown-Wood ; illustrated by John Joven
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