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THE WAGES OF SIN

A gritty detective story as unflinching as its heroine, rich in well-researched period detail.

An intrepid female medical student stumbles on a conspiracy in Victorian-era Edinburgh.

Sarah Gilchrist is one of a dozen young women braving their first year of medical studies at an unnamed Edinburgh university which has grudgingly admitted them but treats them with contempt. Chaperoned in sequestered classrooms, the women are mocked by male students and professors alike, but Sarah has it worse than most. As a debutante in London’s smarter circles, Sarah was raped at a ball by the son of a lord, then blamed for the attack and banished to a sanatorium for treatment of her "promiscuity." Debut author Welsh lays it on thick in the opening chapters. Sarah’s fellow female students shun her while her repressive aunt and uncle, with whom she lives, preach at her. She rarely encounters a man who doesn't smirk at her. A defter hand would evoke the pathos of Sarah’s situation without lathering the reader in it. Eventually Sarah finds a friend, and the story finds its footing when Sarah recognizes a corpse in dissection class as a young prostitute she encountered in her work at a charitable clinic. Did the girl die by suicide, or was it murder? Sarah’s investigation takes her to the houses of ill repute and opium dens of the less savory side of Edinburgh. Now the game’s afoot! Welsh makes clever use of the conventions of the genre—Sarah has a dull, respectable suitor who the family hopes will lure her from her unsuitable pursuit of education and an irascible, brooding mentor who will reveal a secretly tender heart—while throwing in a twist informed by modern sensibilities. Damp, sooty, moralistic, and sinning Edinburgh is convincingly evoked. A coy reference at the story’s conclusion to another Scottish medical detective hints that this novel may be the first in a series.

A gritty detective story as unflinching as its heroine, rich in well-researched period detail.

Pub Date: March 14, 2017

ISBN: 978-1-68177-322-2

Page Count: 304

Publisher: Pegasus

Review Posted Online: Dec. 18, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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