This beloved nursery rhyme gets a fresh and meaningful modernization.
Move over, Old MacDonald: The hardworking Miss MacDonald has a green thumb and plenty of plants.
This tale follows the same cadence as the familiar song but replaces the opening lines with “Miss MacDonald has a farm. / She loves things that grow.” Instead of caring for pastures full of animals, Miss MacDonald grows food, “with a water-water here” and a “drip-drop there.” Once her bounty is ready, the titular farmer harvests her crops and cooks up a feast for her friends. Caregivers and educators will find the bouncy text fun to sing, but it’s also readable if that’s preferred. Gwarjanski employs rich vocabulary words such as shuck, tubers, and thresh, many of which are defined in an appended glossary. Miss MacDonald has brown skin and wears oversized, orange-tinted sunglasses, a wide-brimmed hat, tall socks, and gardening clogs. On every page she tirelessly tends to her plants, while the accompanying illustrations feature vibrant, true-to-life depictions of seedlings, vines, and stalks. This is a delightful update that centers a woman and encourages readers to consider how the foods they love appear on the table. Those who want to follow Miss MacDonald’s worthy example should check out the recipe for a harvest vegetable bake in the backmatter.
This beloved nursery rhyme gets a fresh and meaningful modernization. (Picture book. 4-6)Pub Date: March 12, 2024
ISBN: 9780593568163
Page Count: 32
Publisher: Doubleday
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history.
Ferry and the Fans portray a popular seasonal character’s unlikely friendship.
Initially, the protagonist is shown in his solitary world: “Scarecrow stands alone and scares / the fox and deer, / the mice and crows. / It’s all he does. It’s all he knows.” His presence is effective; the animals stay outside the fenced-in fields, but the omniscient narrator laments the character’s lack of friends or places to go. Everything changes when a baby crow falls nearby. Breaking his pole so he can bend, the scarecrow picks it up, placing the creature in the bib of his overalls while singing a lullaby. Both abandon natural tendencies until the crow learns to fly—and thus departs. The aabb rhyme scheme flows reasonably well, propelling the narrative through fall, winter, and spring, when the mature crow returns with a mate to build a nest in the overalls bib that once was his home. The Fan brothers capture the emotional tenor of the seasons and the main character in their panoramic pencil, ballpoint, and digital compositions. Particularly poignant is the close-up of the scarecrow’s burlap face, his stitched mouth and leaf-rimmed head conveying such sadness after his companion goes. Some adults may wonder why the scarecrow seems to have only partial agency, but children will be tuned into the problem, gratified by the resolution.
A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history. (Picture book. 4-6)Pub Date: Sept. 3, 2019
ISBN: 978-0-06-247576-3
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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