by Kallie George ; illustrated by Oriol Vidal ‧ RELEASE DATE: May 16, 2017
Time for a scrub? It’s all in the marketing.
Two reluctant ducklings follow the lead of their humongous green sib to discover that bathtime is fun.
Shifting format, the species-diverse family introduced in picture books Duck, Duck, Dinosaur (2016) and Duck, Duck, Dinosaur and the Noise at Night (2017) faces a new challenge when Mama duck announces “Time for a bath.” Although they sport gooey splatters after playing in the mud, yellow ducklings Feather and Flap hang back—“Baths are not fun.” “No bath. No bath”—but scaly theropod Spike leaps exuberantly into the pond: “BATH!” Mama’s mentions of “soap” and “scrubbing” get similar responses from all three…but then Spike’s “BUBBLES!” makes all hesitation vanish, and in no time the three hatchlings are bright, clean, and splashing about happily. Vidal’s mud looks a lot like melted chocolate in the elementally simple illustrations so that at times the little ducklings resemble partially dipped marshmallow peeps, but the contrast between the delicate features of the small yellow birds and their towering brother’s huge, blunt nose and feet is comic gold.
Time for a scrub? It’s all in the marketing. (Early reader. 3-5)Pub Date: May 16, 2017
ISBN: 978-0-06-235312-2
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 31, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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by Paul Schmid ; illustrated by Paul Schmid ‧ RELEASE DATE: July 1, 2014
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...
Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.
“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)Pub Date: July 1, 2014
ISBN: 978-1-4231-7573-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: June 1, 2014
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by Michelle Sinclair Colman ; illustrated by Paul Schmid
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by Laurie Ann Thompson ; illustrated by Paul Schmid
by Aaron Blabey ; illustrated by Aaron Blabey ‧ RELEASE DATE: Jan. 29, 2019
This is a tremendously moving story, but some people will be moved only on the second reading, after they’ve Googled “How to...
A hug shouldn’t require an instruction manual—but some do.
A porcupine can frighten even the largest animal. In this picture book, a bear and a deer, along with a small rabbit, each run away when they hear eight simple words and their name: “I need a hug. Will you cuddle me,…?” As they flee, each utters a definitive refusal that rhymes with their name. The repetitive structure gives Blabey plenty of opportunities for humor, because every animal responds to the question with an outlandish, pop-eyed expression of panic. But the understated moments are even funnier. Each animal takes a moment to think over the request, and the drawings are nuanced enough that readers can see the creatures react with slowly building anxiety or, sometimes, a glassy stare. These silent reaction shots not only show exquisite comic timing, but they make the rhymes in the text feel pleasingly subtle by delaying the final line in each stanza. The story is a sort of fable about tolerance. It turns out that a porcupine can give a perfectly adequate hug when its quills are flat and relaxed, but no one stays around long enough to find out except for an animal that has its own experiences with intolerance: a snake. It’s an apt, touching moral, but the climax may confuse some readers as they try to figure out the precise mechanics of the embrace.
This is a tremendously moving story, but some people will be moved only on the second reading, after they’ve Googled “How to pet a porcupine.” (Picture book. 3-5)Pub Date: Jan. 29, 2019
ISBN: 978-1-338-29710-2
Page Count: 32
Publisher: Scholastic
Review Posted Online: Sept. 29, 2018
Kirkus Reviews Issue: Oct. 15, 2018
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