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DUCK, DUCK, DINOSAUR AND THE NOISE AT NIGHT

Would that all such nighttime disturbances could be so easily explained.

The loud noise that keeps waking Feather, Flap, and Spike turns out to have a decidedly un-scary origin.

Returning for a second outing (Duck, Duck, Dinosaur, 2016), three unlikely sibs—two feathered and one big, green, and scaled—have outgrown their nest and proudly moved to a nearby bower of their own. But a humongous “GRRORE!” sends first Spike and then the others fleeing into the bushes. And hardly have they settled down again than the shattering noise puts them to flight once more. Soon they’re exhausted. What to do? The popeyed younglings in Vidal’s moonlit scenes, particularly Spike, who is all massive head and feet with a nearly imperceptible body between, make droll embodiments of a common nighttime anxiety. The huge size of the rumbling roar on the page, plus the repetitive structure of George’s narrative, lightens the tone further. Deciding at last to fight noise with noise, Feather and Flap vigorously whale away at tree trunks, but Spike only nods off…and the true nature of the earth-shaking blasts are revealed. Mystery solved, the trio nestles down happily beneath dino-snores that are now shrunk to an ignorable size.

Would that all such nighttime disturbances could be so easily explained. (Picture book. 5-8)

Pub Date: Feb. 17, 2017

ISBN: 978-0-06-235317-7

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Oct. 18, 2016

Kirkus Reviews Issue: Nov. 1, 2016

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TINY T. REX AND THE IMPOSSIBLE HUG

Wins for compassion and for the refusal to let physical limitations hold one back.

With such short arms, how can Tiny T. Rex give a sad friend a hug?

Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.

Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)

Pub Date: March 5, 2019

ISBN: 978-1-4521-7033-6

Page Count: 48

Publisher: Chronicle Books

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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