A stunning, defiant, and impassioned collection.
Incisive essays depict a world beset by “a geography of hysteria.”
In a selection of commentary published between 2010 and 2016, journalist and novelist Daoud (The Meursault Investigation, 2015), columnist for the French-language Algerian newspaper Le Quotidien d’Oran as well as contributor to many international publications, offers unsparing critiques of political Islam, Arab dictatorships, Western complicity, and social and cultural repression. As translator Zerofsky notes in an informative introduction, Daoud’s writings have earned him respect as “a commentator who could both speak for and criticize” the Arab world: “a Muslim and an Algerian, a member of a postcolonial society but distanced from it by the privilege of his position and his intellect.” He also became reviled for his views on Islamists and was condemned as an Islamophobe. In 2014, an imam called for a fatwa against him for “apostasy.” Daoud sees Islamists as religious fanatics, “an armed force, belligerent for war,” spawned from dictatorships. Islamists emerge “when you infantilize a population for decades, when you deculture them, reduce them to ignorance and take them back to the Middle Ages.” Violence, intolerance, and oppression of women reflect Islamists’ unease with difference, desire, and even with life. “For him life is a waste of time, blocking his way to eternity,” and women, the source of life, are the enemy. “The Islamist wants to veil woman to forget her, to deny her, disembody her, escape her,” Daoud writes in one among many essays denouncing societies that force women “to live under the laws of live burial.” Some essays respond to particular events, such as terrorist attacks in Paris, Arab refugees’ aggression against women in Cologne, and the death of a 3-year-old Syrian Kurdish child, drowned at sea, whose photograph shocked the world. Who is guilty for that death? “The smugglers, ISIS, Assad and his father, the Russians, Bush, and the Iranian regime: it’s a chain reaction” that reflects pernicious complexities. “When Aylan drowns, it’s the world that’s in shipwreck.”
A stunning, defiant, and impassioned collection.Pub Date: Oct. 16, 2018
ISBN: 978-1-59051-956-1
Page Count: 336
Publisher: Other Press
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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