For established fans, a bittersweet reunion with old friends; for new readers, a reasonable enticement toward the superior...
Hurley (The Stars Are Legion, 2017, etc.) collects five grim new adventures of Nyxnissa so Dasheem, disgraced ex–government assassin and current bloody-minded bounty hunter with an existing but deeply buried moral sense.
All stories take place before the main action of God’s War (2011), the first book of the Bel Dame trilogy, set on a barely terraformed and metal-poor planet half laid waste from biological warfare, with a technology based on genetically engineered bugs. The stories are somewhat repetitive: Nyx is hired to do some ethically shady job that isn’t what it first appears, and a bloody mess results. At least Nyx and her team usually get paid, albeit not enough to crawl out of their desperate lifestyle. There’s enough explanation provided that readers who haven’t read the series should be able to get along. But those who have read the books, which are a powerful exercise in character development over time, will be aware of the fate of Nyx and each member of her team: com tech Taite, sniper Anneke, shape-shifter Khos, and the mediocre magician Rhys, the unacknowledged love of Nyx’s life. Knowing what the future holds for these people adds a certain weight of sadness to these stories. (Hurley even makes a grim, heavy-handed joke about the tragedy that will befall one character, but only a reader of her novel Infidel would even know the joke was being made.) Four of the five tales were previously published on Hurley’s Patreon, and there’s a definite sense that they were written simply as Nyx fan-pleasers. While two of the stories explain how Anneke and Khos join the team, the collection as a whole doesn’t really advance the general storyline of the series or add much to our understanding of these characters.
For established fans, a bittersweet reunion with old friends; for new readers, a reasonable enticement toward the superior novels of the series.Pub Date: July 17, 2018
ISBN: 978-1-61696-294-4
Page Count: 288
Publisher: Tachyon
Review Posted Online: May 14, 2018
Kirkus Reviews Issue: June 1, 2018
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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