Passion and commitment permeate the writing as Hurley illuminates the online cultural vanguard from a feminist’s perspective.
A feminist manifesto from the front lines of fantasy fiction, Internet flaming, and Gamergate battles.
In caricature, geek culture is typically male, but Hugo Award winner Hurley (The Mirror Emperor, 2014, etc.) aims to upend those stereotypes, which persist throughout the culture at large. The author is a prolific writer of science fiction novels, a field long dominated by males, a provocative blogger on feminist and cultural issues, an incisive critic, and an angry voice. She also pays her bills and receives medical benefits (which help offset chronic disease) from her career as an advertising copywriter and somehow can “still write the 1500 to 3000 words of fiction-related work and associated blog posts I do every day.” A lot of writing can lead to a lot of repetition in a collection of blog posts and other essays, though there’s plenty of inspiration here for promising writers and for young women drawn to a culture where sexism is rife. “At its heart,” writes Hurley, “this collection is a guidebook for surviving not only the online world and the big media enterprises that use it as story fodder, but sexism in the wider world. It should inspire every reader, every fan, and every creator to participate in building that better future together.” The contents range all over the map, as has the author, who “traveled throughout my twenties—eight different countries—and moved nine times in nine years.” Some essays veer toward memoir, others offer advice on writing (fiction, advertising, or both), and many more are political and cultural broadsides, drawn from her viral blog posts and the responses they’ve generated. It can occasionally feel that readers are only receiving half the experience, as posts sustain a life of their own online, with a reach far beyond the pages of a book.
Passion and commitment permeate the writing as Hurley illuminates the online cultural vanguard from a feminist’s perspective.Pub Date: May 31, 2016
ISBN: 978-0-7653-8624-3
Page Count: 288
Publisher: Tor
Review Posted Online: March 26, 2016
Kirkus Reviews Issue: April 15, 2016
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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