An uplifting, sympathetic portrayal of dyslexia and friendship.
A young dyslexic girl struggles with reading.
Stella Martinez can’t wait to start fifth grade. She and her BFFs, Latasha and Emiko, even get to sit together in Miss Marin’s class. But to Stella’s dismay, school soon feels like “one big reading class.” Even math, one of her favorite subjects besides art, has word problems, and the fifth grade project is a Young Authors Competition. Textbooks have longer words and fewer pictures, making comprehension time-consuming, and Stella falls behind. Even the new online universe for Stella and her friends’ favorite show, Witchlins, requires a guidebook, which Stella has trouble following. As her BFFs and classmates discuss the game, Stella feels left out. Will reading ruin her friendships? Garcia, who based Stella’s story on her daughter’s journey of coming to terms with dyslexia and her own experiences with neurodivergence, introduces a multifaceted protagonist with a learning disability and encouragingly highlights various coping strategies. Adults are warmly supportive, barring a dour, gray-haired, light-skinned librarian whose misconception that graphic novels aren’t “real” books is emphatically dispelled. In keeping with Miss Marin’s affirmation that “all brains work differently,” the book’s clear lettering, decodable text, and expressive art invite readers of all abilities to root for Stella. Stella and her dad and sibling are brown-skinned and cued Latine; Mom is pale-skinned. Latasha presents Black, Emiko is of East Asian descent, and Miss Marin has light-brown skin.
An uplifting, sympathetic portrayal of dyslexia and friendship. (resources, cover design process) (Graphic fiction. 8-11)Pub Date: Jan. 21, 2025
ISBN: 9781250840882
Page Count: 208
Publisher: First Second
Review Posted Online: Oct. 25, 2024
Kirkus Reviews Issue: Dec. 1, 2024
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.
A 12-year-old copes with a brain tumor.
Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-62972-330-3
Page Count: 256
Publisher: Shadow Mountain
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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