by Karen Armstrong ‧ RELEASE DATE: May 19, 1996
A weighty but not evenly weighted study of monotheism's sacred geography and the inglorious history of Jerusalem's turf wars. Armstrong (a former Catholic nun and author of the bestselling A History of God, 1993) begins by desanctifying her setting as a Bronze Age high place of paganism called Rushalimum. Even King David's Yerushalayim (Jerusalem) is said to be a Jebusite holy city turned Jewish by biblical chroniclers named J, E, D, and P, who were highly subjective and ``cavalier'' with their sources. While Israelites are dismissed as Canaanite idol worshipers and even Trinitarians (whom Armstrong graces with belief in Christian typologies), early Christians are depicted as rising above Jerusalem's savage and exclusivist Temple ``cult.'' The author's critical tone recedes as she depicts how the apostle John ``saw Christ, mysteriously identified with God himself, seated on the heavenly throne'' in a New Jerusalem, a celestial city where Christ had taken the place of earthly Jerusalem. Centuries later, Christianity takes a revolutionary turn from the concept of a Heavenly Jerusalem after the Byzantine ``discovery'' of the tomb of Christ on Golgotha (whose historicity is unchallenged). Armstrong's tone nearly rises to reverential when the bloody Crusaders are displaced by Muslims, who are depicted as Jerusalem's most tolerant, nonviolent, and monotheistic rulers. We learn that inside the Dome of the Rock are Koranic ``verses denying the shocking notion that God sired a son,'' but we're never reminded how aggressively Islam rewrites and coopts Jewish and Christian scripture and history. While both Christians and Muslims used the Temple Mount as a garbage heap, Armstrong closes with concern that today's Jewish state, whose ``claim to the city was dubious,'' not continue its ``sterile and deadly struggle for sovereignty'' in the Holy City. A History of God is a hard act to follow, and this lucid but unbalanced sequel on God's hometown may not be popular with many of those readers most eager to make a literary pilgrimage to Jerusalem. (60 illustrations, 37 maps; color photos, not seen)
Pub Date: May 19, 1996
ISBN: 0-679-43596-4
Page Count: 544
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 1996
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by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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