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ROUGH BEAUTY

FORTY SEASONS OF MOUNTAIN LIVING

A fine example of the hybrid nature-memoir.

These outstanding autobiographical essays explore solitude, traumatic events, and a deep commitment to place.

Auvinen (Film/Univ. of Colorado Boulder), former Colorado artist-in-residence and two-time Academy of American Poets award recipient, charts a decade of life “ordered by weather and wildlife” on the Front Range of the Rockies. She prized her independence, funding her writing with three part-time jobs and finding companionship in her husky mix, Elvis. But when her cabin burned down, destroying all her work in progress, she had to accept help and discovered that her small town was a true community. After the fire’s climactic prologue, the book gracefully fills in events either side: her early years and how she rebuilt her life. Growing up, Auvinen felt oppressed by Catholic doctrine and her Air Force father’s slaps. She gives excellent pithy descriptions of her family dynamics: “In my family, women were parsley on the plate—accessories”; “Men did things, women watched.” When her parents’ marriage ended, she and her mother and sister banded together; she even took her mother’s maiden name in a power play that alienated male relatives. In the post-fire years, her mother’s health problems were a major concern, as was Elvis’ decline into old age. Anyone who has ever cherished and lost a pet will agree with her that this kind of love “is no small thing.” The turning seasons (“March was thick with anticipation—the pendulum between winter and spring”) and rhythms of small-town life form a meditative backdrop. Nature—whether gardening, camping, or close encounters with bears and a fox—speaks of wonder and solace. Toward the close, Auvinen writes of diving into a relationship with artist Greg Marquez, the book’s illustrator, and a place enjoyed in solitude became one freely shared. The author has served a long apprenticeship—sensing life’s patterns, becoming embedded in a human community, learning to give and receive love—and the result is a beautiful story of resilience perfect for readers of Terry Tempest Williams.

A fine example of the hybrid nature-memoir.

Pub Date: June 5, 2018

ISBN: 978-1-5011-5228-3

Page Count: 320

Publisher: Scribner

Review Posted Online: March 18, 2018

Kirkus Reviews Issue: April 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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