by Karen C.L. Anderson ‧ RELEASE DATE: Dec. 10, 2015
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A book presents emboldening ideas to help readers deal with dysfunctional mother-daughter relationships.
From the volume’s start, Anderson (AFTER The Before & After, 2011) writes from a place of personal wisdom and resolved knowledge. Her detached objectivity rings clear throughout as she provides simple strategies that employ complex psychological exercises in practical ways. For example, she begins the work by describing a triangle of “victim consciousness”—victim, persecutor, rescuer. Many readers trapped in flawed mother-daughter relationships will likely recognize these roles. Anderson provides exercises to break from this pattern, including journaling and listing. The volume also suggests living through emotions rather than judging or pushing them away. Through this concept, the reader can explore which emotions arise from memories or interactions with a dysfunctional, often manipulative mother. And, by allowing the emotions to make their brief stay, the reader can become aware of ways to accept rather than reject the feelings. Yet perhaps one of the book’s most potent features is the way Anderson explains boundaries. They are not devices that will change the way others will treat a person, she explains, and perhaps that’s the most widely misunderstood idea about setting boundaries. Boundaries, she notes, are actually commitments to oneself and one’s own integrity. They are behavioral limits—meaning whether one reacts to certain things or responds to particular kinds of remarks. Anderson breaks down boundaries into two parts: requests and consequences. She explains that it is not a mother’s job to respect a daughter’s boundaries: it is the daughter’s duty to follow through and enforce the consequences she sets. The book is enlightening, clear, and concise and should be helpful to readers struggling with the helpless feelings of a manipulative relationship with a parent who seems impossible to sever from their lives without severe consequences. A later chapter discusses “mother” as a verb rather than a noun. Following the wisdom of author Martha Beck, Anderson asserts that readers are being mothered whenever they are accepted, nourished, instructed, or empowered. Once they detach the idea of motherhood from a particular person, she explains, they are free to receive it from all around—including from themselves. This is perhaps one of the most enlightening moments in the book, and readers will likely gain lasting insights from this poignant, stirring read. This short, forceful work about mother-daughter dynamics gives clear pathways to relief and empowerment.
Pub Date: Dec. 10, 2015
ISBN: 978-1-942646-85-3
Page Count: 160
Publisher: Difference Press
Review Posted Online: Oct. 21, 2016
Kirkus Reviews Issue: Nov. 15, 2016
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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