YOU CAN RUN

When a CIA analyst caves in to blackmail, she sets in motion a series of events that may lead to war.

At exactly 10:59 one morning, CIA desk officer Jill receives a request to vet a new Syrian source, code-named Falcon, a "defense official attached to a covert biowarfare program, working deep in one of our darkest of black holes." There would have been a time when she would have “live[d] for” this opportunity, but now she has new priorities; namely, getting to her car at 11:00 to watch her infant son on the day care cam. As she settles in, she receives a call from an unknown caller: “We have your son.” They promise to release him only if Jill approves Falcon, immediately. In a daze of fear, Jill does as they ask, and Owen is returned, but she knows she’ll never feel safe. She quits her job and convinces her husband to move; four years later, they have built a good life away from the CIA and even expanded their family. Then one day, she catches a woman watching her. It turns out she's Alex Charles, a journalist whose anonymous source has recently disclosed that “ninety percent of…intelligence on Syria’s biological weapons program comes from a single...source.” This in turn has led Alex to Falcon, and to Jill, and she wants some answers—and, preferably, a Pulitzer. Jill knows getting involved might put her family at risk again, but as she and Alex investigate, they realize that Falcon is a creation of someone within their own government—someone willing to kill to start a war. The novel lacks the deeper technical language and action of Tom Clancy or the literary bleakness of John le Carré, but there’s enough espionage to satisfy the casual reader of spy fiction, even down to some unexpected twists in the ending.

Two strong, resilient women working together to save the world? Yes, please.