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YAYA AND THE SEA

A beautiful, uniquely told story of gratitude and togetherness.

A little girl learns how the important women in her life honor the sea.

Awakening from dreams of being a mermaid, Yaya prepares for a trip through New York City to the sea on the first day of spring. Yaya and her mother bundle up, get breakfast quickly at the bodega, and board the subway. Mama’s close friends Auntie Stefanie, Auntie Renee, and Auntie Dream greet mother and daughter warmly, and they ride the train to the end of the line. They all get quiet as they approach the beach and walk toward the water with reverence and respect. Each woman has brought gifts for Mama Ocean, as they call her: flowers, watermelon slices, shiny dimes, patterned fabrics, a ring, molasses. Yaya waits on the blanket, as Mama has instructed her, and watches while the four women walk into the water to thank the ocean. Engel’s deeply saturated acrylic images convey a sense of tranquility as the women bond, share an intimate friendship, and bring Yaya into their tradition of leaving markers of the past behind to start afresh with the coming of spring. Engel also shows the women’s individuality through their expressions, their hairstyles, their attires, and the nature of the gifts they bring. Yaya, her mother, and her aunties present Black.

A beautiful, uniquely told story of gratitude and togetherness. (author’s note) (Picture book. 4-7)

Pub Date: March 12, 2024

ISBN: 9781534462014

Page Count: 40

Publisher: Denene Millner Books/Simon & Schuster

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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PIRATES DON'T TAKE BATHS

Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)

Pub Date: March 1, 2011

ISBN: 978-0-399-25425-3

Page Count: 32

Publisher: Philomel

Review Posted Online: Jan. 25, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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ASTRONAUT HAYLEY'S BRAVE ADVENTURE

Sweet but misleading.

A plucky child becomes a space traveler.

Arceneaux was the first pediatric cancer survivor and the first with a prosthetic body part to become an astronaut, part of the first all-civilian space mission in 2021. The author, who in 2022 published the adult memoir Wild Ride and its 2023 adaptation for middle-grade readers, here shares her story with an even younger audience. Told in the third person, the narrative emphasizes the bravery she summoned as she coped with a cancer that left her with a prosthetic leg bone and knee (hinted at with an incision line in one illustration) and went on to become a space traveler. Curiously, Hayley and her astronaut colleagues are portrayed as children. They play with a “stuffed toy alien,” and in an imagined episode, Hayley ventures outside the spacecraft to perform a repair. Accompanied by softly hued illustrations with character designs that recall Precious Moments figurines, the narrative emphasizes familiar details of space travel that will appeal to children; both their bodies and their food float in zero gravity. The mission splashes down safely, and Hayley rushes to hug her mom. Though Arceneaux was the youngest astronaut to have orbited the Earth, she was an adult when she did so. The odd choice to depict her as a child reduces her compelling story to a fantasy. Arceneaux is white; other characters are diverse.

Sweet but misleading. (Picture book. 4-7)

Pub Date: Feb. 18, 2025

ISBN: 9780593443903

Page Count: 40

Publisher: Convergent

Review Posted Online: Nov. 9, 2024

Kirkus Reviews Issue: Dec. 15, 2024

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