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SABLE

Another nicely honed Redfeather Book from the author of Lavender (1993) and Phoenix Rising (p. 480). Again, the theme is caring for loved ones; but where the adults in Lavender were exemplary, the parents here hardly seem to love their daughter in the beginning, much less the stray dog she adopts. Gruff Pap, a carpenter, is too busy to let Tate help him or to understand her need for companionship. Mam has a deep fear of dogs and still has scars to show why; she's testy and anxious when Pap lets Tate feed ``Sable'' and keep her outside. But Tate loves the dog, and Sable reciprocates her affection. Unfortunately, once she's well fed, she takes to wandering—follows the school bus, brings things home, bothers neighbors. When there are complaints, Pap gives Sable to a customer, miles away. Desolate but determined, Tate builds a fence in hopes of bringing Sable home, then hitches a ride to see her; but the dog has run away. By the time she makes her way home, each character has gained some insights: With more help from Tate, and realizing how much she has grieved, Mam mellows; Pap sees the fence as evidence that Tate might make a carpenter; even Sable has had enough of running and settles down. With a fresh narrative voice, thoughtfully developed characters, and its surefire Lassie-Come-Home ending, a fine early chapter book. (Fiction. 6-10)

Pub Date: April 1, 1994

ISBN: 0-8050-2416-6

Page Count: 64

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1994

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DIARY OF A SPIDER

The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)

Pub Date: Aug. 1, 2005

ISBN: 0-06-000153-4

Page Count: 40

Publisher: Joanna Cotler/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2005

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HENRY AND MUDGE AND THE STARRY NIGHT

From the Henry and Mudge series

Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)

Pub Date: April 1, 1998

ISBN: 0-689-81175-6

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1998

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