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JULIA CHILD RULES

LESSONS ON SAVORING LIFE

A lighthearted trek through a food icon’s life, studded with satisfying tips for modern living.

Karbo’s (The Gospel According to Coco Chanel: Life Lessons from the World’s Most Elegant Woman, 2011, etc.) delightful foray into Julia Child’s life blends entertaining facts with Child-inspired lessons for living the good life.

The author chronicles the great cooking instructor’s childhood in Southern California, her work in Sri Lanka, her lifelong love affair with Paul Child, her trials while learning to cook and her midlife TV career. Child’s life has been dissected many times, but Karbo adds a personal layer to the narrative. While exploring her inspirational and aspirational qualities, the author weaves in bittersweet memories of her family life and her mother, an early fan of Child. As an explanation of America’s complex fascination with Child, Karbo writes, “[m]y theory is that our real attachment to Julia is less about her cooking, or even about what she did for the cause of serious cuisine, and more about our admiration for her immutable aptitude for being herself.” The author holds Child up as an example of a woman comfortable in her own skin, intent on creating good food and finding a passion in life. Karbo underscores the lessons for achieving a happy life, as lived by Child, using chapter titles like “Live with Abandon,” “All You Need Is a Kitchen and a Bedroom” and “Cooking Means Never Saying You’re Sorry.” Along the way, the author ladles out solid advice for contemporary women on a variety of topics, including the joy of hard work and how to both cultivate ways to amuse yourself and disobey the rules that society sets out for women. “Julia pretty much ignored the whole thing, and it may be the only real lesson there is for the end of our days,” writes Karbo about Child’s take on old age. “Just pretend like it isn’t happening, until you have no choice but to accept reality.”

A lighthearted trek through a food icon’s life, studded with satisfying tips for modern living.

Pub Date: Oct. 1, 2013

ISBN: 978-0-7627-8309-0

Page Count: 240

Publisher: Skirt! Books/Globe Pequot

Review Posted Online: Aug. 11, 2013

Kirkus Reviews Issue: Sept. 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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