An engaging, authentic depiction of life in Gold Rush–era California.
In this debut historical novel, a woman disguises herself as a male stagecoach driver in order to track down the man responsible for the murder of her family.
Inspired by a true story, Kondazian conjures up the legend of Charlotte “Charley” Pankhurst, a 19th century woman who spent much of her life pretending to be a male. Charlotte, who was raised in an orphanage in Boston, falls in love with a runaway slave and bears his child. But a terrible act of cruelty leaves her mourning her family and planning vengeance on the man responsible. After Charlotte learns that her target is headed west, she decides to follow him. The old West is no place for a lone woman, however, so she disguises herself as a man and finds employment as a “whip,” or stagecoach driver. She has a series of adventures as she drives her coach up and down the California territory. She meets an actress named Anna, who later becomes her housekeeper; when Anna falls in love with her, however, Charlotte rebuffs her advances. Charlotte dons her female duds again upon arriving in San Francisco, where she falls for an outlaw named Edmund. However, her plan to take revenge for the death of her family is never far from her mind. The author, an actress, has written a novel about the old West that feels authentic in almost every sweaty detail (“The stagecoach was coming. The whole world was dust and pounding, pounding and dust”). Kondazian’s background in the world of make-believe helps her to convincingly render Charlotte’s transformation. The novel even offers a pansexual take on romance as both Charlotte and her lover seem to derive extra pleasure from the fact that she can be both a woman and a man.
An engaging, authentic depiction of life in Gold Rush–era California.Pub Date: Dec. 1, 2013
ISBN: 978-1601823076
Page Count: 304
Publisher: Hansen Publishing Group, LLC
Review Posted Online: June 6, 2014
Kirkus Reviews Issue: July 15, 2014
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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