Factually accurate and accessibly told.
A grandmother remembers when Susanna Madora Salter was elected the first female mayor in the United States.
In 1934, Dora asks her grandson, Ed, to help her bake a cake for her birthday. Though proud to help, Ed worries what his friends will say, since “only girls bake.” In response, Dora tells Ed about a girl named Susanna living in Argonia, Kansas, when only men could vote and make laws. Then in 1887, Kansas becomes the first state to enact a law allowing women to vote and run for office in their city elections. When several men warn Susanna that “women should stay out of politics” as she and other women prepare to endorse a candidate for Argonia’s local election, she ignores the bullies. Next, townsmen create a prank ballot listing Susanna as a candidate for mayor, and she surprises them by running and winning by a landslide. When Dora finishes her story and cake, she has a surprise for Ed. As Dora tells Ed this true story of her election as first female mayor in the country, she shares historical information about women’s limited role in politics along with personal details of her own experience, providing an accessible introduction to a landmark event. Simple, colorful illustrations follow Susanna’s political journey in 1887 and her later role as cake-baking grandmother in 1934. All characters present White.
Factually accurate and accessibly told. (author's note, research note) (Picture book/biography. 4-8)Pub Date: Oct. 1, 2021
ISBN: 978-0-8075-5313-8
Page Count: 32
Publisher: Whitman
Review Posted Online: Aug. 30, 2021
Kirkus Reviews Issue: Sept. 15, 2021
BOOK REVIEW
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston...
A memorable, lyrical reverse-chronological walk through the life of an American icon.
In free verse, Cline-Ransome narrates the life of Harriet Tubman, starting and ending with a train ride Tubman takes as an old woman. “But before wrinkles formed / and her eyes failed,” Tubman could walk tirelessly under a starlit sky. Cline-Ransome then describes the array of roles Tubman played throughout her life, including suffragist, abolitionist, Union spy, and conductor on the Underground Railroad. By framing the story around a literal train ride, the Ransomes juxtapose the privilege of traveling by rail against Harriet’s earlier modes of travel, when she repeatedly ran for her life. Racism still abounds, however, for she rides in a segregated train. While the text introduces readers to the details of Tubman’s life, Ransome’s use of watercolor—such a striking departure from his oil illustrations in many of his other picture books—reveals Tubman’s humanity, determination, drive, and hope. Ransome’s lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past.
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston Weatherford and Kadir Nelson’s Moses (2006). (Picture book/biography. 5-8)Pub Date: Nov. 7, 2017
ISBN: 978-0-8234-2047-6
Page Count: 32
Publisher: Holiday House
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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