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LETTERS TO MEMORY

Shaped and voiced with literary flair, this is clearly a book Yamashita felt compelled to write, and her sense of purpose...

A multilayered evocation of Japanese internment camps as experienced by the author’s extended family.

The thematic ambition of this project transcends category. It isn’t quite memoir or even the memory of stories told by earlier generations. Title aside, it isn’t a collection of letters, though such an archive spurred Yamashita (I Hotel, 2010, etc.) to feel she could become “a useful repository of the past.” She quotes the letters sparingly, and most of the longer letters are hers to readers or her editor. It isn’t quite a scrapbook, though there are plenty of family photos, renditions of artwork, and shards of manuscripts. The narrative is part research, part history, part literary criticism, part spiritual meditation, and part open wound. “Stories blossom, as a kaleidoscope, a space where events aggregate in infinite designs,” writes Yamashita, who has toyed with form in her much-lauded fiction. Most of these stories are ones she has read in the letters or maybe heard from her parents (her father was a pastor), but they become very much her stories in the telling. “For you, the problem is to separate the fiction from the fact of living,” she writes, addressing “Homer,” though perhaps writing to the reader or herself, “to excavate the origins of our attachments to meaning, the material forensics of human systems, the fork in the road where we could have taken another path. This is the work of history.” This is certainly interpretive history that illuminates the tensions within the Japanese community in America over the war with Japan and the ironies of a country outraged by German concentration camps subjecting the Japanese in America to similar treatment.

Shaped and voiced with literary flair, this is clearly a book Yamashita felt compelled to write, and her sense of purpose makes this historical excavation feel deeply personal.

Pub Date: Sept. 12, 2017

ISBN: 978-1-56689-487-6

Page Count: 160

Publisher: Coffee House

Review Posted Online: June 26, 2017

Kirkus Reviews Issue: July 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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