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WHAT GIRLS LEARN

From the Brooklyn-based Cook, an earnest coming-of-age tale featuring two sisters from Atlanta whose mother dies of breast cancer—standard first-novel fare that never provokes, never offends, and never sparks much interest, either. Twelve-year-old Tilden has always been a quiet observer, lingering on the edge of the more vibrant world inhabited by her prettier younger sister, Elizabeth, and by Frances, their optimistic, homily-spouting, divorced mother. When Frances returns home to Atlanta from a wedding up north, Tilden watches anxiously as a flurry of romantic correspondence with a man she met there turns into yet another move. Happily, though, this journey to Nick Olsen's home on Long Island turns out to be a healthy one: Nick, the owner of a limousine service, is a good guy who helps the girls with their homework, cleans up around the house, and works hard to live up to his new role of substitute dad. The girls' adjustment to this new life would appear relatively painless, in fact, if it weren't for Frances's discovery of a lump in her breast, her subsequent mastectomy, and her lingering death over the course of Tilden's 13th year—an event that leaves the two girls with no one to look after them but bumbling Nick. This bomb dropped into the center of Tilden's life might be expected to cause some interesting shock waves, but in fact the adults who surround Tilden and Elizabeth prove so adept at helping the girls adjust to the pain of losing their beloved mother that there's little doubt they'll land on their feet. Even when Frances's no-account brother, Rand, turns up for a visit and makes a half-hearted sexual pass at Tilden, he so deeply regrets his transgression that there's nothing for the reader to sink her teeth into. In the end, this drama remains, like its sturdy heroine, well- intentioned but bland.

Pub Date: March 1, 1997

ISBN: 0-679-44828-4

Page Count: 304

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1996

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TRUE COLORS

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters...

Female rivalry is again the main preoccupation of Hannah’s latest Pacific Northwest sob saga (Firefly Lane, 2008, etc.).

At Water’s Edge, the family seat overlooking Hood Canal, Vivi Ann, youngest and prettiest of the Grey sisters and a champion horsewoman, has persuaded embittered patriarch Henry to turn the tumbledown ranch into a Western-style equestrian arena. Eldest sister Winona, a respected lawyer in the nearby village of Oyster Shores, hires taciturn ranch hand Dallas Raintree, a half-Native American. Middle sister Aurora, stay-at-home mother of twins, languishes in a dull marriage. Winona, overweight since adolescence, envies Vivi, whose looks get her everything she wants, especially men. Indeed, Winona’s childhood crush Luke recently proposed to Vivi. Despite Aurora’s urging (her principal role is as sisterly referee), Winona won’t tell Vivi she loves Luke. Yearning for Dallas, Vivi stands up Luke to fall into bed with the enigmatic, tattooed cowboy. Winona snitches to Luke: engagement off. Vivi marries Dallas over Henry’s objections. The love-match triumphs, and Dallas, though scarred by child abuse, is an exemplary father to son Noah. One Christmas Eve, the town floozy is raped and murdered. An eyewitness and forensic evidence incriminate Dallas. Winona refuses to represent him, consigning him to the inept services of a public defender. After a guilty verdict, he’s sentenced to life without parole. A decade later, Winona has reached an uneasy truce with Vivi, who’s still pining for Dallas. Noah is a sullen teen, Aurora a brittle but resigned divorcée. Noah learns about the Seattle Innocence Project. Could modern DNA testing methods exonerate Dallas? Will Aunt Winona redeem herself by reopening the case? The outcome, while predictable, is achieved with more suspense and less sentimental histrionics than usual for Hannah.

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters and understanding of family dynamics.

Pub Date: Feb. 9, 2009

ISBN: 978-0-312-36410-6

Page Count: 400

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2008

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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