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THIS IS WHY WE LIED

One character nails it: This is “an Agatha Christie locked-room mystery with a VC Andrews twist.”

Georgia Bureau of Investigation agent Will Trent and medical examiner Sara Linton honeymoon at a family lodge that includes breathtaking landscapes, varied guests, troubled family dynamics, and murder.

McAlpine Family Lodge manager Mercy McAlpine has been an outcast within her family ever since Dave McAlpine, an orphan whom her parents adopted, got her pregnant at 15. To her enduring shame, her relatives, from her aunt Delilah to her own brother, Christopher, took Dave to their hearts even as they squeezed her out, snatching baby Jon from her to be raised mostly by Delilah. Sixteen years later, when her father, Cecil, plans to sell the lodge whose operation Mercy’s poured herself into, she’s had enough, and evidently so have they. Hours after she announces her intention to ruin the lives of any family members who vote with Cecil to sell the place to Max Brouwer and Sydney Flynn for $12 million, Will finds her fatally stabbed near Lake McAlpine, and she dies in his arms. The half-dozen other guests are icing on the cake, since every one of Mercy’s relatives had a powerful motive to kill her. The honeymoon isn’t exactly over, but Will tells Sara he’d be committed to investigating even if Chuck, the fellow guest who tormented Will in the orphanage where they both grew up, weren’t on hand as Christopher’s lecherous best friend. The high-octane story inevitably lags when Faith Mitchell, Will’s partner in the GBI, arrives to question the suspects, but the shattering climax reveals that the McAlpine family is even more dysfunctional than you imagined.

One character nails it: This is “an Agatha Christie locked-room mystery with a VC Andrews twist.”

Pub Date: Aug. 20, 2024

ISBN: 9780063336728

Page Count: 464

Publisher: Morrow/HarperCollins

Review Posted Online: July 10, 2024

Kirkus Reviews Issue: Aug. 15, 2024

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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TO DIE FOR

Fast-moving excitement with a satisfying finish.

The feds must protect an accused criminal and an orphaned girl.

Maybe you’ve met him before as protagonist of The 6:20 Man (2022): Ex-Army Ranger Travis Devine, who’d had the dubious fortune to tangle with “the girl on the train,” is now assigned by his homeland security boss to protect Danny Glass, who's awaiting trial on multiple RICO charges in Washington state. Devine has what it takes: He “was a closer, snooper, fixer, investigator,” and, when necessary, a killer. These skills are on full display as the deaths of three key witnesses grind justice to a temporary halt. Glass has a 12-year-old niece, Betsy Odom, and each is the other’s only living relative—her parents recently died of an apparent drug overdose. The FBI has temporary guardianship of Betsy, who's a handful. She tells Travis that though she’s not yet 13, she's 28 in “life-shit years.” The financially well-heeled Glass wants to be her legal guardian with an eye to eventual adoption, but what are his real motives? And what happens to her if he's convicted? Meanwhile, Betsy insists that her parents never touched drugs, and she begs Travis to find out how they really died. This becomes part of a mission that oozes danger. The small town of Ricketts has a woman mayor who’s full of charm on the surface, but deeply corrupt and deadly when crossed. She may be linked to a subversive group called "12/24/65," as in 1865, when the Ku Klux Klan beast was born. Blood flows, bombs explode, and people perish, both good guys and not-so-good guys. Readers might ponder why in fiction as well as in life, it sometimes seems necessary for many to die so one may live. And what about the girl on the train? She's not necessary to the plot, but she's a fun addition as she pops in and out of the pages, occasionally leaving notes for Travis. Maybe she still wants him dead. 

Fast-moving excitement with a satisfying finish.

Pub Date: Nov. 12, 2024

ISBN: 9781538757901

Page Count: 432

Publisher: Grand Central Publishing

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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