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THIS IS WHY WE LIED

One character nails it: This is “an Agatha Christie locked-room mystery with a VC Andrews twist.”

Georgia Bureau of Investigation agent Will Trent and medical examiner Sara Linton honeymoon at a family lodge that includes breathtaking landscapes, varied guests, troubled family dynamics, and murder.

McAlpine Family Lodge manager Mercy McAlpine has been an outcast within her family ever since Dave McAlpine, an orphan whom her parents adopted, got her pregnant at 15. To her enduring shame, her relatives, from her aunt Delilah to her own brother, Christopher, took Dave to their hearts even as they squeezed her out, snatching baby Jon from her to be raised mostly by Delilah. Sixteen years later, when her father, Cecil, plans to sell the lodge whose operation Mercy’s poured herself into, she’s had enough, and evidently so have they. Hours after she announces her intention to ruin the lives of any family members who vote with Cecil to sell the place to Max Brouwer and Sydney Flynn for $12 million, Will finds her fatally stabbed near Lake McAlpine, and she dies in his arms. The half-dozen other guests are icing on the cake, since every one of Mercy’s relatives had a powerful motive to kill her. The honeymoon isn’t exactly over, but Will tells Sara he’d be committed to investigating even if Chuck, the fellow guest who tormented Will in the orphanage where they both grew up, weren’t on hand as Christopher’s lecherous best friend. The high-octane story inevitably lags when Faith Mitchell, Will’s partner in the GBI, arrives to question the suspects, but the shattering climax reveals that the McAlpine family is even more dysfunctional than you imagined.

One character nails it: This is “an Agatha Christie locked-room mystery with a VC Andrews twist.”

Pub Date: Aug. 20, 2024

ISBN: 9780063336728

Page Count: 464

Publisher: Morrow/HarperCollins

Review Posted Online: July 10, 2024

Kirkus Reviews Issue: Aug. 15, 2024

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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WITCHCRAFT FOR WAYWARD GIRLS

A pulpy throwback that shines a light on abuses even magic can’t erase.

Hung out to dry by the elders who betrayed them, a squad of pregnant teens fights back with old magic.

Hendrix has a flair for applying inventive hooks to horror, and this book has a good one, chock-full with shades of V.C. Andrews, The Handmaid’s Tale, and Foxfire, to name a few. Our narrator, Neva Craven, is 15 and pregnant, a fate worse than death in the American South circa 1970. She’s taken by force to Wellwood House in Florida, a secretive home for unwed mothers where she’s given the name Fern. She’ll have the baby secretly and give it up for adoption, whether she likes it or not. Under the thumb of the house’s cruel mistress, Miss Wellwood, and complicit Dr. Vincent, Neva forges cautious alliance with her fellow captives—a new friend, Zinnia; budding revolutionary Rose; and young Holly, raped and impregnated by the very family minister slated to adopt her child. All seems lost until the arrival of a mysterious bookmobile and its librarian, Miss Parcae, who gives the girls an actual book of spells titled How To Be a Groovy Witch. There’s glee in seeing the powerless granted some well-deserved payback, but Hendrix never forgets his sweet spot, lacing the story with body horror and unspeakable cruelties that threaten to overwhelm every little victory. In truth, it’s not the paranormal elements that make this blast from the past so terrifying—although one character evolves into a suitably scary antagonist near the end—but the unspeakable, everyday atrocities leveled at children like these. As the girls lose their babies one by one, they soon devote themselves to secreting away Holly and her child. They get some help late in the game but for the most part they’re on their own, trapped between forces of darkness and society’s merciless judgement.

A pulpy throwback that shines a light on abuses even magic can’t erase.

Pub Date: Jan. 14, 2025

ISBN: 9780593548981

Page Count: 496

Publisher: Berkley

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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