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GLEN AFFRIC

Not twisty or unexpected, but tense—and with a surprising sweetness in the relationship between the brothers.

The American debut from French writer Giebel is a solid if straight-ahead suspense novel about two brothers whom gross injustice seeks out again and again.

Léonard (his name a wink to Steinbeck’s Of Mice and Men) is a large, powerful, sweet-tempered teen who’s relentlessly bullied and taken advantage of because of certain intellectual disabilities. Léonard was a foundling, discovered battered and bruised in a ditch and taken in at age 5 by kind, heartbroken Mona. The boy’s favorite keepsake is a postcard from Glen Affric, Scotland, where he’s been led to believe his brother, Jorge, Mona’s beloved elder son, lives. But Glen Affric is a cover story. Jorge has been convicted of two murders he didn’t commit, and for 16 years he’s been in prison, a status that has cemented the family’s status as shunned and despised outsiders in their town. On the day when Jorge is paroled, Léonard lands in prison himself, briefly but disastrously, after—not knowing his strength—he defends himself too vigorously and injures his tormentors. Léonard emerges from lockup psychologically and physically wounded, and he’s bewildered and upset to learn where Jorge has been. But the vulnerable brothers soon grow close, and as the horrors and injustices continue to mount, they grow ever closer. Jorge is on parole, under constant threat of being returned to prison if he loses his job or responds to the townspeople’s taunts, abuses, provocations. Framed for theft and fired once, he takes on lucrative illicit work and acquires, just in case, a bug-out bag, which he and Léonard bury in the backyard. The reader knows it cannot stay buried for long. Sure enough, Jorge is framed for another murder—of the woman he loves, a restaurateur he felt forced to break up with in order to spare her business and her reputation. The novel, a bit slow to launch, picks up major momentum around its midpoint, when the brothers kidnap a somewhat sympathetic cop and go on the run. The book, and the brothers, are headed to a destination and a denouement that seem predetermined, but Giebel delivers them and us to the rendezvous with some panache.

Not twisty or unexpected, but tense—and with a surprising sweetness in the relationship between the brothers.

Pub Date: today

ISBN: 9780063393929

Page Count: 720

Publisher: HarperVia

Review Posted Online: Aug. 30, 2024

Kirkus Reviews Issue: Oct. 1, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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INTERMEZZO

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

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Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.

Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

Pub Date: Sept. 24, 2024

ISBN: 9780374602635

Page Count: 464

Publisher: Farrar, Straus and Giroux

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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