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A HAPPY GHOST

The humorous, ponderous misadventures of this malcontent are a lot of fun.

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A young man bemoans his stagnant life and struggles to make sense of the world around him in Flores’ novel.

The author limns the scattershot life of young Andrei, a chronically depressed, easily annoyed, contemplative Beverly Hills hotel clerk who grasps at personal bliss and meaningful change and who winds up mostly empty-handed. He divulges that he makes a generous salary and lives in an attractive apartment, but he sleeps on a futon mattress on a floor that “smelled of earth and mushroom” and angles to give people the impression that he actually went to college by wearing a UCLA hoodie. He admits to becoming “numb to life,” having lost interest in the things that used to make him happy. Every pleasure has become negated by its own predictability, he laments; video games, pornography, writing—nothing holds the allure it once did. His boredom is disrupted when he’s discovered pleasuring himself inside an unoccupied suite while listening to the neighboring room’s occupants having sex. He is caught by an incoming guest named Mars, a beautiful, wise, intuitive actress who, after a probing discussion, wholly captivates Andrei—to the point that he begins stalking her after his shifts.

For a shorter novel, Flores manages to economically convey a great amount of opinionated perspective, emotion, and dark, self-effacing humor. His skill is most evident in his masterfully imagined creation, the disillusioned, navel-gazing Andrei, alongside a busy cast of peripheral characters and a few particularly persnickety hotel guests: the male hotel floor manager who wears copious eyeliner and blush, the crying, aging woman “with marks of two dried rivers on her face,” and a host of others. All of these wacky personalities, highlighted in their brief interactions with the protagonist, collectively threaten to steal the show as they either enhance his life or inadvertently (and often comically) contribute to his continual state of misery. As the location of each chapter changes, so does the reader’s perspective on how Andrei is coping (or not) with the challenges set forth in his life. The story’s shifting settings, from bedroom to cafe to hospital to cemetery, are less jarring than they are enticing and exciting; these atmospheric variations lend the novel a sense of surprise. While the inclusion of spicy, explicit sex scenes may be off-putting to more sensitive readers, they humanize Andrei and flesh him out as a human being with needs and wants outside of more mundane, everyday desires—despite his opinion that sex is “disappointingly unidimensional.” Sprinkled among descriptions of Andrei’s antics are passages of protracted introspection and often pessimistic contemplation of life, human nature, his attraction to the opposite sex, and the eternal quest for happiness, all of which contribute to the story’s inward-facing perspective—and disappointingly sluggish pacing. Despite the vivid intensity with which Flores portrays Andrei’s interactions with Mars, the novel leaves this memorable relationship unresolved. In spite of these quibbles, the ride is a hoot, and readers will find themselves speculating about what Andrei does next or what agonizing new ordeal awaits him. That unpredictability is the best part of this novel.

The humorous, ponderous misadventures of this malcontent are a lot of fun.

Pub Date: Jan. 5, 2023

ISBN: 9798362073442

Page Count: 201

Publisher: Self

Review Posted Online: March 21, 2023

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WE ALL LIVE HERE

A moving, realistic look at one woman’s post-divorce family life that manages to be both poignant and funny.

A recently divorced writer juggles a chaotic full house, a struggling career, and a confusing romantic life.

Lila Kennedy thought she had the perfect family—a loving mother, a doting stepfather, two wonderful daughters, and a great husband. She even wrote a self-help book about repairing a marriage, which was published a mere two weeks before her husband left her. After her own mother’s sudden death, Lila finds herself an unexpected single mom with her health-nut stepfather, Bill, for a roommate. When her long-absent actor father, Gene, moves in, things go from crowded to chaotic. When Gene isn’t talking about his memories of starring on a Star Trek–like television show, he’s starting fights with Bill. Perhaps the worst part is that Lila’s supposed to produce a new book about the unexpected direction her life has taken. She quickly finds that writing about her real-life romantic exploits (including the kind gardener Bill hired and the sexy single dad she lusts after at school pick-up) and the actual heartbreak that upended her family is easier said than done. Moyes creates a world that is believable and funny. It’s hilarious to read about the distinct characters in Lila’s life—such as her lentil-loving stepfather and egocentric biological father—interacting with each other. There’s plenty of drama here, but none of it feels forced. It all comes from flawed people doing their best to coexist and making plenty of mistakes along the way. Moyes combines the warmth of an Annabel Monaghan rom-com with the humanity of a Catherine Newman novel, creating a story that will provoke tears and laughter.

A moving, realistic look at one woman’s post-divorce family life that manages to be both poignant and funny.

Pub Date: Feb. 11, 2025

ISBN: 9781984879325

Page Count: 464

Publisher: Pamela Dorman/Viking

Review Posted Online: Nov. 9, 2024

Kirkus Reviews Issue: Dec. 15, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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