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THE GOODBYE SONG

A smorgasbord of intriguing pieces that fails to find a unifying theme.

A collection offers poetry and prose across multiple genres and topics.

Flores plays with various forms in this ambitious volume. In “Poems,” he contemplates everything from insects and a beautiful woman to late-night thoughts and green smoothies. “Sonnets” transports readers to destinations like Kentucky and California. The brutal nature of love is the focus of “Haikus.” The “Letters” segment addresses unexpected subjects like progress, the sunset, and the pavement. “Scenes” highlights an awkward couple in a coffee shop, a gala-planning meeting, and a tense get-together between a mother and son. Among the “Objects” Flores expounds on are meltable microchips people snack on in the future and a gun that fails to fire for its suicidal owner. Personhood, Darwinism, and illusion are some of the terms unpacked in “Definitions.” The “Directions” section uses a GPS–like format to describe both exterior places and interior emotions. “Entries” features excerpts from various fictional characters’ journals, while “Recipes” presents tutorials in living. The author returns to poetry in the final section, “Secrets.” Poetry is Flores’ strong suit, where his verbs crackle with energy. In “Clover Mite,” he contemplates a small orange spider, “pebbling his way in nomadic routes unknown,” while recalling other arthropods and how he “smudged their guts.” His descriptions are unique and evocative, like a woman with “eyes like chandeliers.” And his poems reach insightful conclusions, such as: “I suppose the spirit has many things to say / And it is our mission to hear it and stay.” Among the flaws of this collection are the illustrations by Concepción interspersed throughout the book; rather than enhance the pieces, they distract. Flores’ humor occasionally misses the mark; a letter to the stomach, for example, ends with “There’s nothing like a good diarrhea on a Wednesday morning and thinking, ‘Damn. My stomach’s a whore.’ ” And despite the wide variety of formats, at over 300 pages, the sheer amount of content will test readers’ patience as they struggle to understand the common thread among the disparate offerings.

A smorgasbord of intriguing pieces that fails to find a unifying theme.

Pub Date: May 1, 2021

ISBN: 979-8-73-197228-4

Page Count: 311

Publisher: Self

Review Posted Online: July 13, 2021

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WE ALL LIVE HERE

A moving, realistic look at one woman’s post-divorce family life that manages to be both poignant and funny.

A recently divorced writer juggles a chaotic full house, a struggling career, and a confusing romantic life.

Lila Kennedy thought she had the perfect family—a loving mother, a doting stepfather, two wonderful daughters, and a great husband. She even wrote a self-help book about repairing a marriage, which was published a mere two weeks before her husband left her. After her own mother’s sudden death, Lila finds herself an unexpected single mom with her health-nut stepfather, Bill, for a roommate. When her long-absent actor father, Gene, moves in, things go from crowded to chaotic. When Gene isn’t talking about his memories of starring on a Star Trek–like television show, he’s starting fights with Bill. Perhaps the worst part is that Lila’s supposed to produce a new book about the unexpected direction her life has taken. She quickly finds that writing about her real-life romantic exploits (including the kind gardener Bill hired and the sexy single dad she lusts after at school pick-up) and the actual heartbreak that upended her family is easier said than done. Moyes creates a world that is believable and funny. It’s hilarious to read about the distinct characters in Lila’s life—such as her lentil-loving stepfather and egocentric biological father—interacting with each other. There’s plenty of drama here, but none of it feels forced. It all comes from flawed people doing their best to coexist and making plenty of mistakes along the way. Moyes combines the warmth of an Annabel Monaghan rom-com with the humanity of a Catherine Newman novel, creating a story that will provoke tears and laughter.

A moving, realistic look at one woman’s post-divorce family life that manages to be both poignant and funny.

Pub Date: Feb. 11, 2025

ISBN: 9781984879325

Page Count: 464

Publisher: Pamela Dorman/Viking

Review Posted Online: Nov. 9, 2024

Kirkus Reviews Issue: Dec. 15, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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