An academic dares to veer from the formality of scholarly prose and talk frankly as a black woman about her experiences in the community, the university, and this nation. Holloway (English and African American Literature/Duke Univ.; Moorings and Metaphors, not reviewed) divides her book into three chapters: ``The Body Politic,'' ``Language, Thought, and Culture,'' and ``The Moral Lives of Children.'' The first discusses what black women have represented in our culture and how the duality of their race and gender has made them examples as well as arbiters of change. Holloway begins, as do many who write about gender today, with Anita Hill. But she shows the breadth and originality of her ideas by comparing Hill's Senate testimony with the trial almost 200 years before of a colonial slave turned poet, Phillis Wheatley. Holloway reminds us that in each instance what was on trial was the woman's low status in society and the lack of credibility given her words, especially when she is being questioned by a white man. Did Wheatley write the verse that stirred the colonies with its sophistication and literary verve? Did Anita Hill tell the truth? For that matter, did Tawana Brawley, or Zora Neale Hurston in her trial on morals charges in the late 1940s? And when Ted Danson put on blackface at the Friars Club and told a sexually explicit, racially biased joke about his lover, Whoopi Goldberg, was she ``a victim of Danson, or a victim of herself''? Again and again, Holloway makes connections among popular culture, history, and literature that create a distinctive, exciting discourse. From her reading of Maya Angelou's inaugural speech through her account of her son's struggles growing up as a young black man, Holloway never hides behind the visage of ``reason'' and third-person voice. Rigorous in its intellectual ponderings, stirring in its personal revelations.
Pub Date: April 1, 1995
ISBN: 0-8135-2155-6
Page Count: 210
Publisher: Rutgers Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1995
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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