A ghostly love story that’s heartfelt and bittersweet.
A teenager’s love for her longtime friend and neighbor defies the odds in a paranormal romance by the author of Surf Ed. (2007).
New Orleanian Camille Darveau has known Antwone Despre all her life but decided she loved him two years ago. In their part of the South, some people may disapprove of their potential coupling—she’s white and he’s African American. But she bravely makes her first move by inviting Antwone to her sixteenth birthday party, although he has a girlfriend, Emily (who pompously dubs herself “M—,” pronounced “Em”). Unfortunately, as it’s 2005, Hurricane Katrina soon hits and wreaks devastation. Camille learns that Antwone is among the dead. He does, however, return as a spirit by periodically entering the body of Camille’s friend, Beano Benoit, a gay high school quarterback. Only Camille sees Antwone; others think Beano is trying to connect with M— and possibly cheating on his new love interest, Lewis Sinclair. This doesn’t stop Camille from trying to summon Antwone, as she feels their love is mutual. But while trouble is stirring, with Beano aware of what’s occasionally happening to him and Camille at variance with M—, Camille grudgingly acknowledges the best option may be to let Antwone go. Novelist and TV screenwriter Hoeffner weaves an absorbing, sorrowful tale from this material. Katrina isn’t merely a plot device but a real-life tragedy that touches characters throughout, and Camille has multiple run-ins with a dangerous man taking advantage of survivors of the hurricane. There are few shared scenes with Antwone and Camille prior to his death. But it’s clear as the narrative progresses that Camille’s love and longing are genuine, and potentially having to say goodbye is heartbreaking for her. Hoeffner suitably details the French Quarter and, eventually, Mardi Gras, while subtly incorporating instances of racism and a family that discourages interracial relationships. It’s a sometimes-bleak story, though the author doesn’t let it slip into overwhelming gloom.
A ghostly love story that’s heartfelt and bittersweet.Pub Date: Sept. 25, 2020
ISBN: 978-1-64603-009-5
Page Count: 219
Publisher: Regal House Publishing
Review Posted Online: March 26, 2020
Review Program: Kirkus Indie
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A contemporary hero’s journey, brilliantly told.
The 17-year-old son of a troubled rock star is determined to find his own way in life and love.
On the verge of adulthood, Blade Morrison wants to leave his father’s bad-boy reputation for drug-and-alcohol–induced antics and his sister’s edgy lifestyle behind. The death of his mother 10 years ago left them all without an anchor. Named for the black superhero, Blade shares his family’s connection to music but resents the paparazzi that prevent him from having an open relationship with the girl that he loves. However, there is one secret even Blade is unaware of, and when his sister reveals the truth of his heritage during a bitter fight, Blade is stunned. When he finally gains some measure of equilibrium, he decides to investigate, embarking on a search that will lead him to a small, remote village in Ghana. Along the way, he meets people with a sense of purpose, especially Joy, a young Ghanaian who helps him despite her suspicions of Americans. This rich novel in verse is full of the music that forms its core. In addition to Alexander and co-author Hess’ skilled use of language, references to classic rock songs abound. Secondary characters add texture to the story: does his girlfriend have real feelings for Blade? Is there more to his father than his inability to stay clean and sober? At the center is Blade, fully realized and achingly real in his pain and confusion.
A contemporary hero’s journey, brilliantly told. (Verse fiction. 14-adult)Pub Date: Aug. 1, 2017
ISBN: 978-0-310-76183-9
Page Count: 464
Publisher: Blink
Review Posted Online: April 30, 2017
Kirkus Reviews Issue: May 15, 2017
PERSPECTIVES
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