by Karoline Kan ‧ RELEASE DATE: March 12, 2019
A remarkable multigenerational memoir that clearly explores “the real China—its beauty and ugliness, the weird and familiar,...
A personal examination of rural China and its one-child policy by a millennial Chinese woman who eventually earned an education and employment as a journalist.
A former reporter for the New York Times Beijing Bureau, Kan was born in 1989 in the village of Chaoyang, which was rebuilt after the great Tangshan earthquake of 1976. Since she was her mother’s second child, her birth had to be hidden from the registrars; if the secret was revealed, her poor family of farmers would receive a fine that would be difficult for them to afford. In the end, her strong-willed mother was determined not to abort her. While the cost was considerable—and they had to endure friction with their in-laws and shame within their community—the family moved to a larger neighboring town where, unlike her cousins, she and her brother would have a chance to receive an education. Condemned to live in a tiny apartment crammed next to others, the author was subjected to prejudice about her accent and her looks, but she was able to validate herself through dedicated focus and fervent patriotism as a Young Pioneer. At school, she writes, “the lessons were meant to unify us, by pointing at a shared enemy for all—mainly the British, Japanese, and Americans.” As a child of conservative parents, Kan, who has no problem with candid introspection, also looked to her beloved grandmother Laolao. During her childhood, Laolao just barely escaped having her feet bound and expressed bitterness about her unjust treatment by the government, but she also automatically spouted the clichés about boys being superior to girls, to the author’s dismay. Impressively, Kan beat the odds, managing to steer clear of the ingrained courting rituals and establish herself as a professional journalist.
A remarkable multigenerational memoir that clearly explores “the real China—its beauty and ugliness, the weird and familiar, the joyful and sad, progressive and backward at the same time.”Pub Date: March 12, 2019
ISBN: 978-0-316-41204-9
Page Count: 272
Publisher: Hachette
Review Posted Online: Dec. 18, 2018
Kirkus Reviews Issue: Jan. 15, 2019
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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