A friendly, useful, and nicely illustrated guide for kids facing surgery.
A little girl feels nervous about undergoing minor surgery in this debut picture book.
Sunday, a small, pale-skinned girl with unkempt brown hair, is about to have surgery to fix a small tear in her eardrum. She’s worried but has ticked all the boxes on her checklist— everything from a packed bag to a “stomach in knots like a triple-tied shoelace.” At the hospital, she encounters unfamiliar procedures like wearing a plastic identity bracelet and getting an IV, but the nurse’s encouraging words help her to be brave. She also calms herself down with pleasant daydreams. After the operation, she’s tired and groggy for a while but soon feels like herself again, and hears better too. In her book, Harrison soothes fears by helping kids know what to expect before surgery. The story nicely balances Sunday’s anxiety with her humorous voice and active imagination. She’s encouraged to be brave but in a way that acknowledges her understandable nerves; adults are kind and reassuring. Also useful are a list of five rules for surgery, such as bringing a toy or other item, and several questions adults can use to help children talk through their fears. Crampton provides cheerful, appealingly detailed images in calming pastels that feature a diverse cast.
A friendly, useful, and nicely illustrated guide for kids facing surgery. (Questions to Ask Someone (or Yourself!) Before Surgery” [26])Pub Date: March 27, 2020
ISBN: 978-1-73470-750-2
Page Count: 28
Publisher: Warren Publishing, Inc.
Review Posted Online: May 13, 2020
Kirkus Reviews Issue: July 1, 2020
Review Program: Kirkus Indie
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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