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AMELIA ANNE IS DEAD AND GONE

A perceptive, contrapuntal character study with a light thriller flavor—utterly compelling.

The lives of two girls on the cusp of something bigger intertwine on a dusty road in a small, dead-end New England town.

Amelia has just finished college and is on her way to a summer beach rental with her boyfriend before going to acting school. Becca, just graduated from high school, is looking forward to college and an escape from the "unbearable small-town shit." Just hours before Amelia is beaten and left for dead, Becca's boyfriend breaks up with her—right after they have sex in the bed of his pickup. As the summer goes on, Bridgeton buzzes with excitement at the murder, while Amelia's body lies in the morgue, unidentified. Becca finds herself morbidly, disastrously fascinated with the investigation even as she tries to sort out her feelings about her future. Becca's first-person narration is occasionally interspersed with third-person flashbacks of Amelia's last days, and while her end is never in doubt, watching the events that lead up to it will mesmerize readers. Rosenfield nails the dynamics peculiar to a small town with a large, wealthy summer population, the uneasy civic relationship mirroring both Amelia's and Becca's emotional negotiations. Her language is precise and vivid; Becca struggles to imagine "the crunch of future feet over fallen leaves shot through with orange and ochre."

A perceptive, contrapuntal character study with a light thriller flavor—utterly compelling. (Fiction. 14 & up)

Pub Date: July 5, 2012

ISBN: 978-0-525-42389-8

Page Count: 304

Publisher: Dutton

Review Posted Online: May 29, 2012

Kirkus Reviews Issue: June 15, 2012

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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