Between the book references and the idyllic setting, readers won’t want to leave Broken Wheel, either.
In this sleepy charmer, a Swedish bookseller finds friendship, love, and more books in the small town of Broken Wheel, Iowa.
Sara Lindqvist has barely left the airport when she learns from the local townspeople that her longtime American pen pal, Amy Harris, has died. Too disappointed to catch a return flight home, Sara reluctantly stays at Amy’s house, which the deceased woman’s neighbors have already cleaned and stocked with food for Sara’s arrival. Though its population is dwindling, Broken Wheel is endearingly quaint. The residents barter for what they need, and much of Sara’s time is spent trying to overcome the oppressive niceness of nosy neighbors who won’t even let her pay for her own drinks at the town’s only bar, much less pay rent on Amy’s house. Sara didn’t have much going on in her life prior to landing in the middle of nowhere, so she's blissfully unaware that her thirst for adventure has led her to an adventure desert. But the sweetness that ensues makes up for the plot’s ambling pace. Desperate for something to do, Sara uses Amy’s book collection—a hodgepodge of classic literature, chick lit, and even erotica—to turn an abandoned hardware store into a neighborhood bookstore. Her thank-you gift to the townspeople quickly becomes a tourist attraction, turning Broken Wheel into a hotbed of romance and progressive ideas. As Sara learns her neighbors’ secrets through Amy’s books, Amy lives on in old letters that fill in the missing details. Sara's time in Iowa is limited, but her new friends suspect that if she and her neighbor Tom can admit their feelings for each other, she might be there for good.
Between the book references and the idyllic setting, readers won’t want to leave Broken Wheel, either.Pub Date: Jan. 19, 2016
ISBN: 978-1-4926-2344-1
Page Count: 400
Publisher: Sourcebooks Landmark
Review Posted Online: Oct. 14, 2015
Kirkus Reviews Issue: Nov. 1, 2015
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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