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THE READERS OF BROKEN WHEEL RECOMMEND

Between the book references and the idyllic setting, readers won’t want to leave Broken Wheel, either.

In this sleepy charmer, a Swedish bookseller finds friendship, love, and more books in the small town of Broken Wheel, Iowa.

Sara Lindqvist has barely left the airport when she learns from the local townspeople that her longtime American pen pal, Amy Harris, has died. Too disappointed to catch a return flight home, Sara reluctantly stays at Amy’s house, which the deceased woman’s neighbors have already cleaned and stocked with food for Sara’s arrival. Though its population is dwindling, Broken Wheel is endearingly quaint. The residents barter for what they need, and much of Sara’s time is spent trying to overcome the oppressive niceness of nosy neighbors who won’t even let her pay for her own drinks at the town’s only bar, much less pay rent on Amy’s house. Sara didn’t have much going on in her life prior to landing in the middle of nowhere, so she's blissfully unaware that her thirst for adventure has led her to an adventure desert. But the sweetness that ensues makes up for the plot’s ambling pace. Desperate for something to do, Sara uses Amy’s book collection—a hodgepodge of classic literature, chick lit, and even erotica—to turn an abandoned hardware store into a neighborhood bookstore. Her thank-you gift to the townspeople quickly becomes a tourist attraction, turning Broken Wheel into a hotbed of romance and progressive ideas. As Sara learns her neighbors’ secrets through Amy’s books, Amy lives on in old letters that fill in the missing details. Sara's time in Iowa is limited, but her new friends suspect that if she and her neighbor Tom can admit their feelings for each other, she might be there for good.

Between the book references and the idyllic setting, readers won’t want to leave Broken Wheel, either.

Pub Date: Jan. 19, 2016

ISBN: 978-1-4926-2344-1

Page Count: 400

Publisher: Sourcebooks Landmark

Review Posted Online: Oct. 14, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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