by Kate Allen Fox ; illustrated by Elisa Paganelli ‧ RELEASE DATE: Oct. 15, 2024
A bright spot of hope on a day where darkness is dominant.
A lyrical look at the shortest day of the year.
Inspired by the beachfront celebrations that occur near the author’s home in San Diego, this tale sees a community gather together to savor the light. As the day slips by, everyone makes the most of the sun’s rays, attempting to “stretch the daylight / as much as we can, trying to make it last.” But as the sun slides down and the beach turns purple with darkening hues, neighbors gather firewood to create a bonfire (in a safe, designated fire pit). They stretch out arms and link hands, “squeezing in silent reassurance. / A reminder: / I am still here. / A promise: / I always will be.” Paganelli’s burnt orange flames lick the night sky, shimmering with specks of stardust and surrounding the group with warmth and love. The racially diverse, bundled-up crowd sings songs and casts wishes into the firelight’s glow. Fox concludes this lyrical exhortation to appreciate every moment by briefly explaining the solstice and touching on global winter solstice celebrations, all of which she explores more in her author’s note.
A bright spot of hope on a day where darkness is dominant. (Picture book. 4-8)Pub Date: Oct. 15, 2024
ISBN: 9781506492858
Page Count: 32
Publisher: Beaming Books
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
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More by Kate Allen Fox
BOOK REVIEW
by Kate Allen Fox ; illustrated by Khoa Le
by Shelley Rotner ; photographed by Shelley Rotner ‧ RELEASE DATE: Oct. 16, 2018
A solid addition to Rotner’s seasonal series. Bring on summer.
Rotner follows up her celebrations of spring and autumn with this look at all things winter.
Beginning with the signs that winter is coming—bare trees, shorter days, colder temperatures—Rotner eases readers into the season. People light fires and sing songs on the solstice, trees and plants stop growing, and shadows grow long. Ice starts to form on bodies of water and windows. When the snow flies, the fun begins—bundle up and then build forts, make snowballs and snowmen (with eyebrows!), sled, ski (nordic is pictured), skate, snowshoe, snowboard, drink hot chocolate. Animals adapt to the cold as well. “Birds grow more feathers” (there’s nothing about fluffing and air insulation) and mammals, more hair. They have to search for food, and Rotner discusses how many make or find shelter, slow down, hibernate, or go underground or underwater to stay warm. One page talks about celebrating holidays with lights and decorations. The photos show a lit menorah, an outdoor deciduous tree covered in huge Christmas bulbs, a girl next to a Chinese dragon head, a boy with lit luminarias, and some fireworks. The final spread shows signs of the season’s shift to spring. Rotner’s photos, as always, are a big draw. The children are a marvelous mix of cultures and races, and all show their clear delight with winter.
A solid addition to Rotner’s seasonal series. Bring on summer. (Informational picture book. 4-7)Pub Date: Oct. 16, 2018
ISBN: 978-0-8234-3976-8
Page Count: 32
Publisher: Holiday House
Review Posted Online: Aug. 13, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Gwen Agna & Shelley Rotner ; photographed by Shelley Rotner
BOOK REVIEW
by Shelley Rotner ; illustrated by Shelley Rotner
BOOK REVIEW
by Gwen Agna & Shelley Rotner ; photographed by Shelley Rotner
by Carolyn B. Otto ‧ RELEASE DATE: Sept. 5, 2017
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
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