Even when she’s not at her best, Atkinson is still pretty good.
In his sixth outing, Jackson Brodie finds himself trapped in an Agatha Christie novel that is also a Jackson Brodie novel.
The story begins with Jackson attending a murder-mystery weekend at “one of England’s premier stately homes.” Lady Milton, the doyenne of Burton Makepeace House, is confused by the large cast of characters. The private investigator himself can’t wait for this farce to be over. “It hasn’t even begun properly yet,” Detective Constable Regina Chase informs him. This setup is as delicious as it is improbable; there is no one in popular fiction less likely to enjoy a whodunit starring Reverend Smallbones and Countess Voranskaya than Atkinson’s world-weary (but intensely empathetic) private investigator. Before we get a chance to see how this situation unfolds, though, the narrative jumps backward a week to introduce Jackson’s latest clients. Hazel and Ian, the twin offspring of the late Dorothy Padgett, have hired the former police detective because someone—probably Dorothy’s carer—has stolen a Renaissance painting that hung in her bedroom. Next, Atkinson reintroduces Lady Milton, whose estate boasted a Turner until someone—probably the housekeeper—absconded with it. This chapter, which is just over 20 pages, is followed by a chapter spent in the company of Reverend Simon Cate. This is 16 pages that feels like a lot more. Rereading the opening scene at this point gives one the sense that Atkinson is describing her own novel: There are too many characters, and it’s a bit slow. This is funny in the way that Atkinson is often funny, but the critique stands. By the time he returns, even Jackson seems attenuated. Reading about him reading about art theft is about as exciting as it sounds. The pace does pick up, eventually, and fans who stick around will get what they came for.
Even when she’s not at her best, Atkinson is still pretty good.Pub Date: Sept. 3, 2024
ISBN: 9780385547994
Page Count: 320
Publisher: Doubleday
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.
The discovery that a revered artist’s sculpture contains a human bone sets off scandal and violence.
Art historian James Becker has what seems like a sweet deal. He’s the curator of the collection of the Fairburn Foundation, housed at a stately home owned by the Lennox family: Sebastian, Becker’s best friend, and his bitter mother, Lady Emmeline. Becker’s wife, Helena, was Sebastian’s fiancee first, but they’re all very civilized about it and happily awaiting the birth of her baby. The centerpiece of the Fairburn collection is works by the late Vanessa Chapman, an artist about whom Becker wrote his thesis, and with whom he is somewhat obsessed. Partly, it’s because of her great talent, but she was also a glamorous figure, a beauty who, as she became successful, sequestered herself on an isolated Scottish tidal island called Eris. She had a dark side—lots of stormy relationships, plus a philandering mooch of a husband who vanished without a trace a few decades ago. Her reputation, though, has risen after her death—so much so that the Fairburn has loaned some of her works to the Tate Modern. That’s where a forensic anthropologist sees one of her sculptures, made of found objects that include what’s described as an animal bone. The scientist is sure the bone is human, and soon Becker finds himself scrambling to prevent scandal. Vanessa willed her works and papers to the foundation, but some of them are still on Eris, guarded by her longtime friend Grace Haswell. A retired doctor, Grace lived with Vanessa off and on over the years and nursed her through her fatal cancer. It was a surprise when Vanessa left her estate not to Grace but to Douglas Lennox, Emmeline’s husband and Sebastian’s father. Douglas was Vanessa’s gallerist and lover, but the two had a nasty falling-out. Sebastian is so frustrated by Grace’s refusal to turn over all of the bequest that he’s ready to sue her, but Becker believes he can negotiate, so off to the the island he goes. He finds far more treachery and shocking secrets than he expected, past and present alike. Hawkins keeps her cast tight, her wild setting ominous, and her plot moving fast.
This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.Pub Date: Oct. 29, 2024
ISBN: 9780063396524
Page Count: 320
Publisher: Mariner Books
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
SEEN & HEARD
SEEN & HEARD
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.
Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.
Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.Pub Date: Sept. 24, 2024
ISBN: 9780374602635
Page Count: 464
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
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BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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