Atkinson’s fans might want to wait for her next book.
A collection of short fiction in which anything can happen by the celebrated author of the Jackson Brodie novels, among many others.
Atkinson’s last book, Shrines of Gaiety (2022) has a single, charismatic figure at its center, a story that spirals outward to encompass a multifarious cast, and narratives that multiply and intertwine, the whole glorious thing energized by her impeccable ear for the English language, a willingness to experiment, and a sort of gimlet-eyed compassion. That is to say, Shrines of Gaiety reads like an Atkinson novel. This collection feels like an amateurish parody of her signature style, exacerbated by the attempt to tie it all together with recurring characters and repeating motifs. Franklin Fletcher, for example, is the main character of “Dogs in Jeopardy,” “The Indiscreet Charm of the Bourgeoisie,” “Classic Quest 17—Crime and Punishment” and co-star of the closing story, “What If?” Dame Phoebe Hope-Waters, the Rev. Matthew Dent, and a down-on-her-luck fairytale princess named Aoife pop up in multiple stories. There are talking animals. The end of the world happens. Violets—violet eau de toilette, violet candies, the flowers themselves—dot the text but, after an initial aha, this motif seems no more meaningful than an easter egg in a video game. It all feels like too much and not enough, and “Puppies and Rainbows”—the tale of a feckless, pill-popping American actress who has an affair with the young idiot who is second in line to the British throne—is an embarrassment that not even a cameo appearance by Dame Phoebe Hope-Waters can save. There are a couple of standout characters. Florence, the Rev. Dent’s spiky eldest daughter, is a delight. And then there’s Franklin—handsome, affable, rudderless Franklin. Lacking any will or desire of his own, he is putty in the hands of an author like Atkinson. It’s completely probable that he will—again and again—encounter the improbable, and one wishes that his author had found a complete novel for him. Or even a fully realized novella.
Atkinson’s fans might want to wait for her next book.Pub Date: Sept. 12, 2023
ISBN: 9780385549509
Page Count: 224
Publisher: Doubleday
Review Posted Online: June 10, 2023
Kirkus Reviews Issue: July 1, 2023
A moving, hilarious reminder that parenthood, just like life, means constant change.
During an annual beach vacation, a mother confronts her past and learns to move forward.
Her family’s annual trip to Cape Cod is always the highlight of Rocky’s year—even more so now that her children are grown and she cherishes what little time she gets with them. Rocky is deep in the throes of menopause, picking fights with her loving husband and occasionally throwing off her clothes during a hot flash, much to the chagrin of her family. She’s also dealing with her parents, who are crammed into the same small summer house (with one toilet that only occasionally spews sewage everywhere) and who are aging at an alarmingly rapid rate. Rocky’s life is full of change, from her body to her identity—she frequently flashes back to the vacations of years past, when her children were tiny. Although she’s grateful for the family she has, she mourns what she’s lost. Newman (author of the equally wonderful We All Want Impossible Things, 2022) imbues Rocky’s internal struggles with importance and gravity, all while showcasing her very funny observations about life and parenting. She examines motherhood with a raw honesty that few others manage—she remembers the hard parts, the depths of despair, panic, and anxiety that can happen with young children, and she also recounts the joy in a way that never feels saccharine. She has a gift for exploring the real, messy contradictions in human emotions. As Rocky puts it, “This may be the only reason we were put on this earth. To say to each other, I know how you feel.”
A moving, hilarious reminder that parenthood, just like life, means constant change.Pub Date: June 18, 2024
ISBN: 9780063345164
Page Count: 240
Publisher: Harper/HarperCollins
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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