An adorable story that teaches readers that things—and people—are not always what they seem.
On the first day of second grade, Stella Endicott meets her new teacher, Ms. Tamar Calliope Liliana, whom she wants very much to impress—and so does the annoying boy at the desk next to hers.
During the second week of school, Stella’s class is assigned to write a poem that includes a metaphor. After school, Stella visits her friend Mercy Watson the pig. She cuddles up close to Mercy on the couch and begins to write. Stella eagerly writes about Mercy, the sound of the neighbor’s accordion, and leaves that fall balletically from the tree outside. She is so excited about her poem that when know-it-all Horace Broom asks if he can read it, Stella doesn’t hesitate to share. Horace immediately begins to pick it apart, scornfully informing her, “Pigs don’t sit on couches, they live on farms.” Angry, Stella loudly defends her poem. The two argue, and Ms. Liliana sends them to see Mr. Tinwiddie, the principal. It is this sentence that forces Stella to act using “courage” and “curiosity,” resources she draws on to encourage Horace, who is so afraid by the expected dressing-down that he runs out of the office and into more trouble than either of them thought possible. The academic setting, imaginative Stella, and brown-noser Horace combine for an ideal opportunity for DiCamillo to exercise her characteristic wordplay. Stella is biracial (black/white), Ms. Liliana appears black, and Horace presents white.
An adorable story that teaches readers that things—and people—are not always what they seem. (Fiction. 6-9 )Pub Date: June 9, 2020
ISBN: 978-1-5362-0180-2
Page Count: 96
Publisher: Candlewick
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
A brisk if bland offering for series fans, but cleverer metafictive romps abound.
The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.
Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.
A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)Pub Date: Aug. 3, 2021
ISBN: 978-1-7282-0935-7
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
What a wag.
What do you get from sewing the head of a smart dog onto the body of a tough police officer? A new superhero from the incorrigible creator of Captain Underpants.
Finding a stack of old Dog Mancomics that got them in trouble back in first grade, George and Harold decide to craft a set of new(ish) adventures with (more or less) improved art and spelling. These begin with an origin tale (“A Hero Is Unleashed”), go on to a fiendish attempt to replace the chief of police with a “Robo Chief” and then a temporarily successful scheme to make everyone stupid by erasing all the words from every book (“Book ’Em, Dog Man”), and finish off with a sort of attempted alien invasion evocatively titled “Weenie Wars: The Franks Awaken.” In each, Dog Man squares off against baddies (including superinventor/archnemesis Petey the cat) and saves the day with a clever notion. With occasional pauses for Flip-O-Rama featurettes, the tales are all framed in brightly colored sequential panels with hand-lettered dialogue (“How do you feel, old friend?” “Ruff!”) and narrative. The figures are studiously diverse, with police officers of both genders on view and George, the chief, and several other members of the supporting cast colored in various shades of brown. Pilkey closes as customary with drawing exercises, plus a promise that the canine crusader will be further unleashed in a sequel.
What a wag. (Graphic fantasy. 7-9)Pub Date: Aug. 30, 2016
ISBN: 978-0-545-58160-8
Page Count: 240
Publisher: Graphix/Scholastic
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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